Curriculum Vitae
Paulo Ferreira-Lopes
Between 1988 and 1991 studied in Lisbon composition with Constança Capdeville.
In 1994 Paulo Ferreira-Lopes moved to Paris. Between 1995 and 1997 he studied in Paris composition
with Emmanuel Nunes, Antoine Bonnet and Computer Music with Curtis Roads.
In 1996 he received a Master in Composition at the University of Paris VIII under the advice of Horacio
Vaggione.
In 1996 further studies in composition with Karlheinz Stockhausen at the "Internationale Ferienkurse für
Neue Musik", Darmstadt. Also in 1996, distinguished as Researcher with a grant of the French
Government by the "Ministere de la Recherche" at the "Departement d’Esthétique et Technologies des
Arts" of University of Paris VIII .
In 1997, composition-prize at the exhibition "Documenta X" in Kassel, Germany. Founder and Director
(between 1992/95) of the Electronic Music Studio C.C.I.M. Founder and Director (2000) of the Summer
Workshops - olhAres de Outono at Univesity Catholic Porto.
Since 1998, artist in residence and researcher at ZKM - Zentrum für Kunst und Medientechnologie Karlsruhe Germany.
Since 2002, member from the European Parlament of Culture .
In 2004 he received the Doctor degree from the University of Paris VIII.
Between 2004 and 2007, Director from the Research Centre for Science and Technology in Art CITAR
Professor at Portuguese Catholic University and since 2010 Music Department Director.
Since 2007 invited Professor at Karlsruhe Music University - Music Informatic Department.
In 2004 his work was selected by the International Society for Contemporary Music to represent Portugal
in the World Music Days 2004.
Paulo Ferreira-Lopes works have been produced in international festivals - Musica STRASBOURG,
MUSICAVIVA, Estoril Summer Festival, documenta X - Essen, Biennal S. Paulo, ZKM-Karlsruhe, World
Music Day’s, Gulbenkian Fondation, Expo 98 Portugal , through important ensembles of the
contemporary artistic scnene as AccrocheNote, OrchestrUtopica , Ensemble Modern Frankfurt, etc.
Personal Data
Name
Paulo Jorge Ferreira Lopes
Date / place of birth
23.10.1964 Lisbon
Nationality
Portugal
Marital Status
Married
Children
2 Daughters (10 Years and 6 Years old)
Address
Ebertstr. 6
76137 Karlsruhe
Contact
Tel.: + 49 721 9351 399
mobil: + 49 16 36 35 36 18
Email: [email protected]
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
2
Academic Qualifications
2004/2007
Post-Doc in Composition / Computer Music
CCIM University Paris 8 / ZKM - Karlsruhe
Fellow - FCT - Foundation for Science and Technology
2004
PhD – PhD Sciences et Technologies des Arts /Musique Informatique
University Paris 8, Paris, France
Advisor: Professor Doctor Horácio Vaggione
“très honorable (18/20)”
University Paris 8, Paris, France
1998
D.E.A - Diplôme d’Études Approfondis: Composition / Computer Music
University Paris 8, Paris, France
Advisor: Professor Doctor Horácio Vaggione
“très bien”
University Paris 8, Paris, France
1996
Master in Music / composition
Advisor: Professor Doktor Horácio Vaggione
”très bien”
University Paris 8, Paris, France
1995
Summer Course - Stage d’été at IRCAM Institut de Recherche et Coordination
Acoustique/Musique Paris, France . Curtis Roads
1992
University of Muisc Lisbon - Graduate in Composition
IPL –ESML - Escola Superior Música Lisboa, Portugal
Studies with Constança Capdeville
1988
National Conservatory of Music Lisbon
Lisbon Portugal – Graduate in Classic Guitar
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
3
Artistic Studies/Training
1996
Composition Studies with Karlheinz Stockhausen
"Internationale Ferienkurse für Neue Musik", Darmstadt - Germany
Fellow from IMD - Internationales Musikinstitut Darmstadt.
1994/ 96
Composition Studies with Emmanuel Nunes – Paris
Fellow from Calouste Gulbenkian Foundation – Lisbon - Portugal
1994/95
Composition Studies with Curtis Roads
Computer Music
University Paris 8, Paris, France
1990/94
Composition Studies with Emmanuel Nunes – FCG -Lissabon
Fellow from Calouste Gulbenkian Foundation – Lisbon - Portugal
1990
Composition Studies with Franco Donatoni
" Accademia Musicale Chigiana di Siena " Siena,Italien
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
4
Scientific Field / Research Interests
Art : Music / Composition / Computer Music
Specialization
•
•
Composition / Music and Creativity
Interface Design / Digital Musical Instruments Design
Research interests:
Interface Design
Digital Musical Instruments Design
Interaction Theory
Sound Visualization
Aesthetics and Phenomenology of der Music Technology and
Computer Music
•
•
•
•
•
Institutional affiliation, Membership, and participation in scientific
societies
Since 2009
Journal of Science and Technology of the Arts – Editorial Board.
Since 2007
Foundation for Science and Technology – National Research Fellow
Commission - Portugal – Art Studies Department.
2007
International Conference: Art, Space & Technology in the Digital
Age, Oktober 2007 Sibiu, Romenia - Member of the Scientific
Board
2007
Center for Performance Science / Royal College of Music –
London, England - Member of the Scientific Board
Since 2005
PERFORMAONLINE – Zeitschrift für Neue Musik –
Member of the Scientific Board
Since 2002
European Cultural Parliament – Permanent Member
<http://www.kulturparlament.com/author/paulo_ferreira_lopes>
1992 -1995
1991 -1995
1986 -1991
Founder and Director (1992-95) des CICM: Electronic Music
Studio (Jeunesses Musicales Portugal – Lissabon, Portugal)
Member of Direction - Jeunesses Musicales Portugal
„Centro Cultural de Almada“ Member of Direction -, Almada,
Portugal
Languages
Portuguese
French
German
English
Spain
Paulo Ferreira-Lopes
Written
Orality
Very Good
Good
Good
Good
Good
Very Good
Good
Good
Good
Good
Curriculum Vitae / February 2013
5
Professional Career
Actual Situation
Head of the Music Department (Since 2009)
School of Arts - Portuguese Catholic University Porto, Portugal
http://artes.ucp.pt/en/musica/index_content.html
Professor – Computer Music and Sonic Art (Since 2004)
School of Arts - Portuguese Catholic University Porto, Portugal
Doctoral Program – Science and Technology of Art
Program Director (Since 2007)
School of Arts - Portuguese Catholic University Porto, Portugal
http://artes.ucp.pt/en/si/doutoramento/index.html
Associated Researcher
im Research Center for Science and Technology in Art – CITAR, Porto,
Portugal
Invited Professor – Computer Music and Sonic Arts - (Since 2007)
Karlsruhe University of Music
Institut für Musikwissenschaft und Musikinformatik, Karlsruhe, Germany
2009
Head of the Summer Workshop – Computer Music Composition School of
Arts - Portuguese Catholic University Porto, Portugal
2001 - 2007
Founder and former Director from CITAR
Research Center for Science and Technology in Art
I/D Research Center - Portugal
2000 - 2007
Founder and Director from the Festival Olhares de Outono - Digital Art
Festival
Portuguese Catholic University Porto, Portugal
1998-2002
Associated Researcher
CITAR - Centre Recherche Informatique et Création Musicale
Fellow - FCT - Foundation for Science and Technology
University Paris 8, Paris, France
1996/97
Associated Researcher
Centre Recherche Informatique et Création Musicale
Fellow from the Ministère de la Recherche – CNRS
University Paris 8, Paris, France
1996
Researcher
IRCAM (Institut de Recherche Coordination Acoustique Musicale),
Centre Georges Pompidou, Paris, France
1990 - 1994
Lecturer
Harmonie / Chamber Music
State Conservatory - Setúbal Portugal
1989 -1991
Founder and Member of the Direction
Escola Profissional de Música de Almada, Portugal
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
6
Courses - Portuguese Catholic University Porto, Portugal
2011/2012
“Dissertation” III – IV – V- VI
Doctoral Program – Science and Technology of Art – Music Informatics
2011/2012
“Computer Music I: Interactive Composition”
Doctoral Program – Science and Technology of Art – Music Informatics
2011/2012
Dissertation II, IV , Master - „ Sound & Images Studies“
2011/2012
Sonic Art , IV , Bachelor - Sound & Images Studies
2011/2012
Interactive Sound - Design “, I, Master - „ Sound & Images Studies“
2011/2012
Dissertation I", III, Master - „ Sound & Images Studies“
2010/2011
Dissertation II", IV, Master - „ Sound & Images Studies“
2010/2011
“ Dissertation” III – IV – V- VI
Doctoral Program – Science and Technology of Art – Music Informatics
2010/2011
Sonic Art , IV, Bachelor - Sound & Images Studies
2010/2011
Dissertation I", III, Master - Sound & Images Studies
2010/2011
Interactive Sound - Design “, I, Master „Sound & Images Studies
2010/2011
Perception and Cognition II
Doctoral Program – Science and Technology of Art – Music Informatics
2009/2010
“ Dissertation” III – IV – V- VI
Doctoral Program – Science and Technology of Art – Music Informatics
2009/2010
“Computer Music I: Interactive Composition” I
Doctoral Program – Science and Technology of Art – Music Informatics
2009/2010
Interactive Sound - Design “, I, Master „Sound & Images Studies
2009/2010
Dissertation I", III, Master - Sound & Images Studies
2009/2010
“Computer Music I: Interactive Composition” I
Doctoral Program – Science and Technology of Art – Music Informatics
2008/2009
“ Dissertation” III – IV
Doctoral Program – Science and Technology of Art – Music Informatics
2008/2009
Interactive Sound - “, IV, Bachelor „Sound & Images Studies
2008/2009
Sonic Art , IV Semester , Bachelor - Sound & Images Studies
2008/2009
Dissertation II, IV, Master - Sound & Images Studies
2008/2009
Interactive Sound - Design “, Master - Sound & Images Studies
2008/2009
Dissertation I, III, Master - Sound & Images Studies
2007/2008
“Computer Music I: Interactive Composition”
Doctoral Program – Science and Technology of Art – Music Informatics
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
7
2007/2008
“ Dissertation” III – IV
Doctoral Program – Science and Technology of Art – Music Informatics
2007/2008
Sonic Art , IV, Bachelor - Sound & Images Studies
2007/2008
Interactive Sound - Design I, Master - Sound & Images Studies
2006/2007
Interactive Sound IV, Bachelor - Sound & Images Studies
2006/2007
Sonic Art , Bachelor - Sound & Images Studies
2006/2007
Interactive Sound - Design , Master - Sound & Images Studies
2005/2006
Sound Image IV , Bachelor - „ Sound & Images Studies
2005/2006
“Argument / Production” , V Semester, Bachelor - „ Sound & Images Studies
2005/2006
Dissertation I, III, Master - Sound & Images Studies
2005/2006
Dissertation II, IV, Master - Sound & Images Studies
2004/2005
Sound Image IV , II, Bachelor - „ Sound & Images Studies
2004/2005
“Argument / Production” , Bachelor - „ Sound & Images Studies
2004/2005
Dissertation I, III, Master - Sound & Images Studies
2004/2005
Dissertation II, IV, Master - Sound & Images Studies
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
8
Courses - Karlsruhe University of Music
2012
Sonic Arts II (Sommersemester) Musikprogrammierung | Seminar | Bachelor
2012
Sonic Arts IV (Sommersemester) Projektbetreuung Komposition | Master
2012
Musik nach 1945 II (Sommersemester) Vorlesung | Bachelor
2012
Musikinformatik II (Sommersemester) Vorlesung | Bachelor
2012
Masterdissertation Betreuung | (Sommersemester)
2012
Projekte / Betreuung von Studienarbeiten | (Sommersemester) - Master
2011/2012
Musik nach 1945 I: Elektronische und Computermusic (Wintersemester)
Vorlesung | Bachelor
2011/2012
Sonic Arts I (Wintersemester) Vorlesung | Bachelor/ Master
2011/2012
Sonic Arts I: Komplexe Projekte /Musikprogrammierung, Arduino u. a. Tools
(Wintersemester) - Seminar | Master
2011/2012
Sonic Arts III: Fortgeschrittene Musikprogrammierung mit MAX / MSP
(Wintersemester) - Seminar | Bachelor/ Master
2011/2012
Masterdissertation Betreuung | (Wintersemester)
2011/2012
Projekte / Betreuung von Studienarbeiten | (Sommersemester) – Master
2011
Elektronische Musik II (Sommersemester) Vorlesung | Bachelor
2011
Musikinformatik II (Sommersemester) Vorlesung | Bachelor
2011
Sonic Arts I: Komplexe Projekte /Musikprogrammierung, Arduino u. a. Tools
(Sommersemester) - Seminar | Master
2011
Projekte / Betreuung von Studienarbeiten | (Sommersemester) - Master
2011
Masterdissertation Betreuung | (Sommersemester)
2011
Projektbetreuung Komposition / Sonic Arts (Sommersemester)
Bachelor | Master
2010/2011
Musik nach 1945 I: Elektronische und Computermusic (Wintersemester)
Vorlesung | Bachelor
2010/2011
Sonic Arts I (Wintersemester) Vorlesung | Bachelor/ Master
2010/2011
Sonic Arts I: Komplexe Projekte /Musikprogrammierung, Arduino u. a. Tools
(Wintersemester) - Seminar | Master
2010/2011
Sonic Arts III: Fortgeschrittene Musikprogrammierung mit MAX / MSP
(Wintersemester) - Vorlesung | Master
2010/2011
Vertiefende Studienarbeiten und Projektarbeiten in den Wahlpflichtmodulen
(Wintersemester) | Bachelor
2010/2011
Projekte / Betreuung von Studienarbeiten (Wintersemester) - Master
2010
Musik nach 1945 II (Sommersemester) Vorlesung | Bachelor
2010
Musikinformatik II (Sommersemester) Vorlesung | Bachelor
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
9
2010
Sonic Arts II (Sommersemester) Musikprogrammierung | Seminar | Master
2010
Vertiefende Studienarbeiten zur Musikinformatik
(Sommersemester) | Bachelor
2010
Projektbetreuung zur Musikinformatik (Sommersemester) | Bachelor
2009/2010
Musik nach 1945 I: Elektronische und Computermusic (Wintersemester)
Vorlesung | Bachelor
2009/2010
Max / MSP Fortgeschrittene Musikprogrammierung
(Wintersemester) - Seminar | Bachelor/ Master
2009/2010
Projekte mit MAX/MSP - Musik und Kreativität (Wintersemester) Bachelor
2009/2010
Projekte mit MAX/MSP - Bau und Design digitaler Musikinstrumente
(Wintersemester) Bachelor
2009/2010
Projekte und Abschlussarbeiten - Sonic Arts
(Wintersemester) Bachelor
2009/2010
Vertiefende Studienarbeiten und Projektarbeiten in den Wahlpflichtmodulen
(Wintersemester) | Bachelor
2009
Musik nach 1945 II (Sommersemester) Vorlesung | Bachelor
2009
Sonic Arts (Sommersemester) Vorlesung | Bachelor | Master
2009
Sonic Arts (Sommersemester) Seminar | Bachelor | Master
2009
Max / MSP Fortgeschrittene Musikprogrammierung
(Wintersemester) - Seminar | Bachelor
2009
Projektbetreuung (Sommersemester) | Bachelor
2009
Betreuung von Projekten und Abschlussarbeiten
(Sommersemester) | Bachelor
2009
Vertiefende Studienarbeiten zur Musikinformatik
(Sommersemester) | Bachelor
2008/2009
Musik nach 1945 I: Elektronische und Computermusic (Wintersemester)
Vorlesung | Bachelor
2008/2009
Max / MSP Fortgeschrittene Musikprogrammierung
(Wintersemester) - Seminar | Bachelor/ Master
Projekte mit MAX/MSP - Musik und Kreativität
(Wintersemester) Bachelor
2008/2009
2008/2009
Projekte mit MAX/MSP - Bau und Design digitaler Musikinstrumente
(Wintersemester) Bachelor
2008/2009
Projekte und Abschlussarbeiten - Sonic Arts
(Wintersemester) Bachelor
2008/2009
Vertiefende Studienarbeiten und Projektarbeiten in den Wahlpflichtmodulen
(Wintersemester) | Bachelor
2008
Musik nach 1945 II (Sommersemester) Vorlesung | Bachelor
2008
Sonic Arts (Sommersemester) Vorlesung | Bachelor | Master
2008
Sonic Arts (Sommersemester) Seminar | Bachelor | Master
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
10
2008
Max / MSP Fortgeschrittene Musikprogrammierung
(Sommersemester) - Seminar | Bachelor
2008
Projektbetreuung (Sommersemester) | Bachelor
2007/2008
Musik nach 1945 I
(Wintersemester) Vorlesung | Bachelor
2007/2008
Max / MSP Musikprogrammierung (Wintersemester) - Seminar | Bachelor
2007/2008
Projektbetreuung (Sommersemester) | Bachelor
Experience on the Research Supervising
Supervising of Doctoral Thesis and und Post-Doctoral Research
2010
Pedro Junqueira Maia
Portuguese heritage of contemporary composers from the Sixty Generation
Systematization, recovery and identification of heritage from the contemporary Portuguese
composers from the Sixty Generation.
2010
Diana da Silva Graça Cardoso
Digital Music Instruments - New Composition Models
SFRH/BD/73800/2010 – European Scholarships Program Praxis XXI
2009
Mailis Gomes Rodrigues
Intonaspacio – General Study about Digital Music Instruments – Interface Design ans
Gesture in the Space
SFRH/BD/61188/2009 - European Scholarships Program Praxis XXI
2009
Marcelo Yassuo Ohara
The Microphone as Extension from the Digital Music Instruments
2009
Rita Luzes Torres
The Microphone as Composition Element
SFRH/BD/65479/2009 - European Scholarships Program Praxis XXI
2008
André Rangel Macedo
General Study on the Intermedia Dynamics
SFRH/BD/61599/2009 - European Scholarships Program Praxis XXI
2008
José Telmo Rodrigues Marques
Inter(RE)active Improvisation - A Reactive Interaction between Musician and Computer –
Interface Design Study Case
SFRH/BD/50430/2009 - European Scholarships Program Praxis XXI
2006
Daniela Costa Coimbra
Conducting Research: A Psychological and Educational Investigation of Conductors in
Practice and Performance
SFRH/BPD/11555/2002 - European Scholarships Program Praxis XXI
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
11
Second Supervisor of Doctoral Thesis
2010
Cristóvão André Braz Luiz
The Composer /Performer at Porto in the middle of XX.
2010
.
Rui Martins da Cruz
Critic Models on the Musical Performance
2010
Teresa Valente Pereira
Emotional Expressions on the Instrumental Performance
FCT SFRH/BD/72214/2010 - European Scholarships Program Praxis XXI
2009
Nuno Mendes Moreira Aroso
The Gesture Narrative – New Percussion Instruments
(FCT SFRH/BD 61152/2009 - European Scholarships Program Praxis XXI
Supervising of Master Dissertation
2011/2012
Telmo Fernando da Silva Oliveira
(nr. 370307012)
De Goa para o Mundo: Cultura e Tecnologia no Boom do Trance
Psicadélico
2010/2011
João Miguel Andrade de Sottomayor Negrão
(nr. 370305022)
Produção do Álbum Pontes
2010/2011
Ari José Marques de Carvalho
(nr. 375409007)
2010/2011
António Pedro Gomes Pestana
(nr. 370300021)
Captação de Som em Cinema e Música – Gravações de Campo
2010/2011
Diogo de Nápoles Tudela e Pereira Carvalho
(nr. 370306048)
Propostas Para A Abordagem À Tipografia No Âmbito das Artes Digitais
2009/2010
André Pedro Bessa Cardoso
(nr. 370304014)
Acompanhamento e Discussão Sobre Processos de Acompanhamento
2009/2010
Ana Lima
A música no movimento do corpo humano
(nr. 370305014)
2009/2010
Diana Cardoso
Instrumento de Música Digital e Instalação
(nr. 370305039 )
2009/2010
Marta Luísa de Almeida Marques dos Santos
Sonificação Laser
(nr. 375408007)
2008/2009
Nuno Miguel Silva Dias Pereira Cortez
A ilusão síncrona – uma dramaturgia do intangível
(nr. 370304007)
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
12
2008/2009
João Pedro Vaz Mendes Teodósio
O som e a música no cinema
(nr. 370302013)
2008/2009
Joaquim Gonçalo Pacheco de Sousa
O computador como instrumento de música
(nr. 370304056)
Courent Supervising of Master Dissertation
2012/2013
Aristides Luís Soares Freitas
(nr. 370308040)
REMICO - O Gesto no processo de criação de Música Electrónica
2012/2013
Jorge Manuel Moita Carvalho
(nr. 370308012)
Masterização MS : Uma técnica criativa
2010/2011
Bernardo Avides Moreira Coutinho dos Santos
"Visualização de dados e design de interacção Homem-máquina: possibilidades
e factores limitadores"
2010/2011
Miguel João Freitas Fontes
Escondido sobre o Espelho
2010/2011
Pedro Miguel Cascalheira da Silva
Hypokeisthai Para uma interpretação formal da quarta dimensão
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
13
Expert Examiner : Master und PhD Thesis
2012
A Composição e Performance Musicais em Sistemas de
Sonorização Multicanal
Master dissertation
Francisco Pereira - School of Arts - Portuguese Catholic University
Porto, Portugal
2012
Masterização: a derradeira oportunidade criativa na produção
sonora?
Master dissertation
Pedro Miguel dos Reis Guimarães Ferraz - School of Arts - Portuguese
Catholic University Porto, Portugal
2012
Ressonâncias Teológicas na Obra Les Corps Glorieux de Olivier
Messiaen
Master dissertation
Daniel Pereira Ribeiro - Portuguese - School of Arts - Portuguese
Catholic University Porto, Portugal
2012
Ensinar Música: Perspetivas sobre o Papel do Professor de Canto
Master dissertation
Vivianne Aparecida Lopes - School of Arts - Portuguese Catholic
University Porto, Portugal
2011
Interpretação dos sinais de ornamentação em obras seleccionadas
de C. P.E. Bach : Sonatas Prussianas I e II (WQ 48 -1742) Sonata
Viola Gamba e instrumento Tecla (WQ 88 -1759)
Master dissertation
Isabel Calado, School of Arts - Portuguese Catholic University Porto,
Portugal
2011
»Die Auswirkungen der elektro-akustischen Instrumente und der
Tonstudiotechnik auf das Klangbild der Rock- und Popmusik
PhD Thesis
Heiko Wandler - Institut Musikwissenschaft Musikinformatik Hochschule
für Musik Karlsruhe - Germany
2011
A importancia da Sequenza V ( Luciano Berio) no desenvolvimento
do Trombone –
Master dissertation
David Silva – School of Arts – University of Music Porto, Portugal
2011
»Digitale Modelle analoger Ringmodulatoren und Betrachtungen zur
Hörbarkeit von Klangfarbenunterschieden zwischen analoger und
digitaler Ringmodulation«
PhD Thesis
Richard Hoffman-Burchardi – Institut Musikwissenschaft Musikinformatik –
Hochschule für Musik Karlsruhe - Germany
2011
IRMAT - Interface Research for Musical Applications and Tools
Master dissertation
Amadis Brugnoni – Externer Prüfer, Elektronisches Studio Basel - Musik
Akademie Stadt Basel - Swiss
2010
Vocoder Effekte für Ableton Live, Jasha Dormann
Master dissertation
Elektronisches Studio Basel - Musik Akademie Stadt Basel - Swiss
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
14
2010
Densitist : ein Digitaler Granular Sinthesizer ,
Master dissertation
Simon Huswirth, Elektronisches Studio Basel - Musik Akademie Stadt
Basel - Swiss
2009
“O Magnum Mysterium: Um Natal Ibérico do séc. XVI em Surround
5.1”, Master
Master dissertation
Henrique José Alvarez Toscano , School of Arts - Portuguese Catholic
University Porto, Portugal
2009
Sonorização da Curta Metragem – “O Encontro” Master ,
Master dissertation
João Vitor Barros de Sousa , School of Arts - Portuguese Catholic
University Porto, Portugal
2009
Produção da Banda “The Happy Mothers”
Master dissertation
Miguel Soares de Oliveira Martins (nr. 370304032) School of Arts Portuguese Catholic University Porto, Portugal
2009
Simpatia Pelo Diabo , Master
Master dissertation
Ricardo Miguel Caldeira Alves Guedes ( nr. 370304060) School of Arts
- Portuguese Catholic University Porto, Portugal
2009
Max/ Msp als Kompositionsmittel
Master dissertation
Vito Züraj Institut Musikwissenschaft Musikinformatik – Hochschule für
Musik Karlsruhe - Germany
2008
Produção Executiva de Rádio: Reabilitação do Projecto Bit-Radio,
Master dissertation
João Miguel M.M. Frnandes Cordeiro, School of Arts - Portuguese
Catholic University Porto, Portugal
2008
Design de Som para 5.1 Surround em Publicidade na Televisão
digital terrestre e Rádio de alta definição
Master dissertation
José Luis Sobrinho (nr. 370303025), School of Arts - Portuguese
Catholic University Porto, Portugal
2008
Design de Som para uma curta-metragem: Causa Mortis, Master,
Alexandre Sousa (nr. 370303017), School of Arts - Portuguese Catholic
University Porto, Portugal
2008
Som como elemento fundamental na narrativa documental,
Master dissertation
João Vitor Lima (nr. 370303041) School of Arts - Portuguese Catholic
University Porto, Portugal
2008
Design de Som da curta Corrida de Cão,
Master dissertation
José Paulo Barbosa, (nr. 370303015) School of Arts - Portuguese
Catholic University Porto, Portugal
2007
Fenster mit Aussicht, Barbara Katz, Master Arbeit, Externer Prüfer,
Elektronisches Studio Basel - Musik Akademie Stadt Basel – Schweiz
2006
Digitale Musikinstrumente Bautechnik – El Piano de Trapo
Master dissertation
José Navarro, Elektronisches Studio Basel - Musik Akademie Stadt Basel,
Swiss.
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
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2006
Credo – Audiovisuelles Interaktives System
Master dissertation
Holger Stenschke, Elektronisches Studio Basel - Musik Akademie Stadt
Basel – Swiss
2005
Forbidden planet – Elektronische Musik als Sound Track
Master dissertation
Manuel Gerber , Elektronisches Studio Basel - Musik Akademie Stadt
Basel – Swiss
2005
Displaced Soundscapes – Computer-Supported Work For Music
Applications
PhD Thesis
Álvaro Mendes Barbosa , Dep. Tecnologias de Informação e
Comunicação, Universidade Pompeu Fabra, Barcelona, Spain,
2005
Quatre compositeurs. Quatre œuvres : la musique portugaise pour
piano des années 90
PhD Thesis
Madalena Soveral - Président du Jury (Hauptgutachter) Ecole doctorale
esthétique, sciences et technologies des arts . University Paris 8 , France
.
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
16
Research Projects
2011
Recovery and reconstruction work from Jean-Claude Risset
University Paris 8 Centre de recherche Informatique et Création Musicale
(Maison de la Science et de l’Homme)
CITAR - Research Center for Science and Technology of the Arts
2007/2010
PRICES 2 - Research Project in Interfaces Digital Instruments: Applications in
Sonic Art - Drittmittel Projekt mit EU Finanzierung
Finanzierung Foundation for Science and Technology
PTDC/EAT/73817/2006
PI – Projekt Koordinator
CITAR - Research Center for Science and Technology of the Arts
2006/2007
PRICES1 - Research Project in Interfaces and Instruments: Applications in
Sonic Art - Drittmittel Projekt mit EU Finanzierung
Finanzierung Foundation for Science and Technology POCI/EAT/55896/2004
PI – Projekt Koordinator
CITAR - Research Center for Science and Technology of the Arts
2006
International Exposition MindFrames
Interface Design Concept PI
ZKM- Zentrum für Kunst und Medientechnologie - Karlsruhe Germany
2004/ 2005
AML Architektur Musik Labor
PI
CITAR - Research Center for Science and Technology of the Arts
Phaeno Science Center - Wolfsburg Germany
2001
ViVaCe - netzzeit Wien / Austria
1999
European Integration by Culture Communication
ZKM- Zentrum für Kunst und Medientechnologie - Karlsruhe, Germany
2002 - 2005
Artist Residence Institut für Musik und Akustik
ZKM- Zentrum für Kunst und Medientechnologie - Karlsruhe, Germany
1996
Research Project on Gesture Interfaces – Software implementation for
“Nachtmusik I” spatialization from the composer Emmanuel Nunes
IRCAM – Institut de Recherche Coordination Acoustique Musicale
Centre Georges Pompidou, Paris, France .
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
17
Awards and Scholarships
2004
International Society for Contemporary Music (UNESCO)
World Music Days (Zürich - Swiss) - Invited Composer
2004 - 2005
Foundation for Science and Technology
Post- Doc Fellowship
2003
Zentrum für Kunst und Medientechnologie
Artist Residence Fellowship Program
Karlsruhe - Germany
2001
Composition Award
Danzer-Stiftung für zeitgenössische Musik
Essen , Germany
1999 - 2003
Foundation for Science and Technology
Research Fellowship - PhD
1998
Research Fellowship - Ministère de la Recherche France - Invited
Researcher at the CICM – Université Paris 8.
Paris – France .
1997
International Composition Award “Stasis et Vita” Documenta X ,
Kassel – Germany
1995
Fellowship – Young Artist Program
Calouste Gulbenkian Foundation
Composition Studies with Emmanuel Nunes Paris – France
1994
Composition Award - Jeunesses Musicales Portugual
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
18
Publications
Research Work
2004
1997
1996
PhD Thesis
” Étude de modèles interactifs et d'interfaces de contrôle en temps
réel pour la composition musicale”
University Paris 8 “Département - Sciences et Technologies des
Arts”. 2004.
DEA Thesis
“Algorithmes de Composition - Un mirror pour Swan Owe - Volume I
“
University Paris 8 “Département - Sciences et Technologies des
Arts”.1997.
Master Dissertation
“Algorithmes de Composition - La Machina Musicalis - Volume I,
Paris ; Université de Saint Denis - Paris VIII -- Dép. de Sciences et
Technologies des Arts. 1996.
CD / Books / Books Chapters
2011
2007
[Modernity Contexts ]Contextos da Modernidade, Editor Angelo Martingo,
Atelier de Composição, Porto, Portugal, 2011.
.
Art Space and Memory in Digital Era – Ed. - Paideia Publishing
House, Bucharest, 2010.
AUDIO CD WERGO / SCHOTT MUSIK – Buch der Dunkelheit
2007
AUDIO CD – ZKM EDITIONS – 3 Songs
2007
Lisbon Architecture Triennial ; Narrativas do Vazio - Catalogue
Exhibition Ed. Lisbon Architecture Triennial – Lisbon 2007 ISBN
978-989-8010-86-5
2007
Francisco Carvalho Guerra - homem de crenças, acção e afectos” ;
édições UCP, Lisboa , 2007
2002
"naT->doN " in produced @ zkm ; Karlsruhe : Institut für Musik
Akustik - Zentrum für Kunst und Medientechnologie ; Karlsruhe ,
2002.
1999
Ferreira-Lopes, P. ; "In Principio" in A invenção dos Sons - editorial
Caminho . Lisboa 1999. (pp. 435-445)
2010
Pappers and Scientific Reports
2011
Paulo Ferreira-Lopes
A Narrativa do Gesto na música Contemporânea Portuguesa para Percussão,
in 2nd International Musical Itineraries Forum - MUSIC AND GESTURE,
Lisbon , Portugal
Curriculum Vitae / February 2013
19
2011
Hommages para piano de Ivo Cruz: a dedicatória ao portuense Óscar da Silva
e a influência pianística e composicional tardo-romântica. . in proceedings,
Secção de Estudos Musicais e Culturais. Porto: Universidade Católica
Portuguesa. Portugal
2011
Interpreter: Piano music by Ivo Cruz in early 20 century . in proceedings
International Conference Music Performance / PERFORMA11. Aveiro
University – Aveiro , Portugal.
2011
Thinking the Digital Music Instrument : New Sounds, New Techniques, New
Performance [Compreender o Instrumento de Musica Digital : Novos Sons, Novas Técnicas,
Diferentes Performances] in proceedings International Conference Music
Performance / PERFORMA11. Aveiro University – Aveiro 2011
2011
Sensor-table and Chirotron: Two Digital Musical Instruments for Collaborative
Performance , in Music and Sonic Art: Practices and Theories
Symposium Proceedings – Volume II 23rd International Conference on
Systems Research, Informatics and Cybernetics, Baden-Baden, Germany,
2011
2010
"Digital Music Instruments: an Approach to Some of its Conceptual
Implications" in the proceedings of the Music and Sonic Art: Practice and
Theories Vol. I published by the International Institute for Advanced Studies in
Systems Research and Cybernetics, Canada. ISBN 978-1-897233-80-1 .
2010
„Do espaço intemporal ao espaço objecto – ensaio sobre a condição do
espaço no pensamento musical contemporâneo“ – EASI , EA-UCP , Porto.
Portugal , 2010.
„New Tendencies in the Digital Music Instrument design : Progress Report“ .
SMC09 – International Conference Sound Music Computing, Porto, Portugal ,
2009.
2009
th
2009
O Instrumento de música digital e sua relação com o gesto musical:
classes e tipologias de interacção , in proceedings International
Conference Music Performance / PERFORMA 09 Aveiro University
Aveiro /2009 .
2008
Interaction typologies : traditional music instruments versus digital
music instruments ; in proceedings ICMC International Computer
Music Conference 2008, Belfast, Ireland, 2008.
2008
Traditional and digital music instruments : a relationship based on a
interactive model ; SMC08 – International Conference Sound Music
Computing, Berlin, Germany , 2008.
2007
“Three Songs from the Darkness Book" in Catalog from sax+ Festival ;
Zentrum für Kunst und Medientechnologie ; Karlsruhe Germany ; 2007
2006
“The music and drama of words" in catalog from "Festival Música
Costa Estoril" 2006, Estoril – Portugal ; 2006
2006
“LeinKlang : New Instruments for Musical Expression” ; in actas
Artech 2006 - 3º Workshop Luso-Galaico de Artes Digitais,
Pontevedra, Spain, 2006.
2005
KITTy: A package for external patches communication management
in Max/MSP; in proceedings
ICMC 2005 International Computer Music Conference, Barcelona, Spain.
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
20
2005
Musique et intéraction: aboutissement, mutations et métaphores de
l'instrument de musique numérique ; in actes JIM - Journées
d'Informatique Musicale. Paris: CICM. ; Paris 2005.
2001
naT (2) - at Festival MUSICA ; MUSICASTRASBOURG in the Festival
Catalogue; Strasbourg- France ; 2001
2001
"Filtrage par modulation spectral" in Rapport de Recherche ; Karlsruhe :
Zentrum für Kunst und Medientechnologie / Karlsruhe, Germany. 2001
2000
"Filtrage par convolution du signal" in Rapport de Recherche ; Karlsruhe :
Zentrum für Kunst und Medientechnologie / Karlsruhe, Germany. 2000
2000
"Lisbonne, Paris , Karlsruhe" in Doces Notas nº 5 . Madrid : editor
DOCE NOTA S.C. 2000.
1999
"L'ordre naturel du Digital" in Doces Notas nº 6 . Madrid : editor
DOCE NOTA S.C. 1999.
1999
"Le projet Räume" in Rapport de Recherche ; Karlsruhe : Zentrum
für Kunst und Medientechnologie Karlsruhe, Germany. 1999
1997
"O tempo Irreal" in Arte Musical nº 6 - IV série, Lisboa ;
Editor: JMP.1997
1996
"Vers une définition de la spatialisation" in Arte Musical nº 5 - IV
série; Lisboa : Editor : JMP.1996
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
21
Lectures and Conferences
2011
Interface Design - Conceiving a Software Based Digital Music Instrument :
International Conference Music Performance / PERFORMA11. Aveiro
University – Aveiro 2011
2010
Conceptual Implications Designing Digital Interfaces - Music and Sonic Art:
Practice and Theories Symposium , Baden-Baden, Germany
2009
New Tendencies in the Digital Music Instrument Design
SMC – Sound and Music Computing Conference,
Porto , Portugal
2007
European Capital of Culture – International Conference : Art,
Space & Technology in the Digital Age
“Modèles d'interaction et lutherie musicale : nouveaux paradigmes de
création”
2007
Hochschule für Musik Karlsruhe
„Die Geburtsstunde der Musikinformatik“
Karlsruhe - Germany
2007
Hochschule für Gestaltung Karlsruhe
The Digital Music Instrument – A Phenomenological overview
2005
"Music and Interaction: the Digital Music Instrument" in actas Artech
2005 - 2º Workshop Luso-Galaico de Artes Digitais, Vila Nova de
Cerveira, 2005
2004
UpDate im ZKM | Zentrum für Kunst und Medientechnologie: Music
instruments, interfaces and interaction.
Karlsruhe - Germany
2000
Universidade Católica Portuguesa
Summer Workshops olhAres de Outono :
"audio digital medias /interactive interfaces".
Porto - Portugal
1998
UpDate at ZKM | Zentrum für Kunst und Medientechnologie:
Interfacess für Raumklang und digitale Synthese.
1996
Stadttheater Gießen
Festival "2. Tage für Tanz und Neue Musik" :
"Die Raumklangwerkzeuge in Swan Owe”.
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
22
Internationale Symposia /Conferences (Referee Comittee)
2012
ARTECH 2012 – International Digital Arts Conference , Faro , Portugal
2010
SMC – Sound and Music Computing Conference , Barcelona , Spain
2010
ICMC Internacional Computer Music Conference – New York , USA.
2010
ARTECH 2010 - Digital Arts Conference , Guimarães , Portugal
2009
SMC – Sound and Music Computing Conference, Porto , Portugal
2008
ARTECH - Digital Arts Conference , Porto , Portugal
2007
ISPS International Symposium on Performance Science , Porto , Portugal
Steering Committees
2007
International Conference : Art, Space & Technology in the Digital Age
2007
ISPS International Symposium on Performance Science
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
23
Selected Works
2012
Seven Short Songs From The Forgetness Book – Streichquartette
Teatro Constatino Nery
Matosinhsos Streichquartette
Porto, Portugal, 2012.
Kompositionsauftrag - Portugiesisches Kulturministerium
2011
dePassagem – CASA da MUSICA – Porto
Paulo Ferreira-Lopes monographisches Konzert mit Solo Werken mit „live
Electronics“
“Sotto Voce” für Violoncello Solo und live Electronics – Filipe Quaresma ,
“ade” für Oboe Solo und live Electronics – Aldo Salvetti,
“Três Peças do Livro da Escuridão” für Bariton Saxofone Solo und live
Electronics – Pedro Bittencourt,
“Changeless I” und “Changeless II” für Timpani Solo und live Electronics –
Nuno Aroso ,
“deProfundis” für Violine Solo und live Electronics
Trevor McTait
Porto, Portugal, 2011.
2011
A Menina dos Fosforos
For Ensemble “Live Electronics” und Video
Sond'Art Electric Ensemble,
Conductor Franck Ollu,
Centro Cultural Cascais,
Cascais , Portugal , 2011.
2010
Wintermusik aus dem Buch der Dunkelheit
Portuguese Premiere
German Premiere
Neue Tunes Festival
Lüneburg – Germany
2010
Wintermusik aus dem Buch der Dunkelheit
Brazil Premiere
BIMESP – International Music Biennal - São Paulo
Teatro Maria de Lourdes Sekeff
São Paulo – Brasil
2010
Adieux
German Premiere
Für Saxofon Sopran und live Electronics
Festival Enlarge Your Sax – ZKM, Karlsruhe
Interpreten:
Pedro Bittencourt Saxofone
Paulo Ferreira-Lopes Electrónica
2010
NoD 1
Akusmatische Musik
Havana - Festival Primavera en La Havana
Havana – Kuba
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
24
2010
"cadavre exquis"
Portuguese Premiere
For Ensemble
Auditório do IFP - Lisboa
Sond'Ar-te Electric Ensemble
Lisbon - Portugal
2010
Wintermusik aus dem Buch der Dunkelheit
Spain Premiere
Interactive Work for Video and live Electronics
Vídeo – Claudia Robles.
ESTAMPA. Mostra Internacional de Arte Múltiple Contemporáneo
Madrid - Spanien
2010
deProfundis
German Premiere
For Violin Solo und live Electronics
Supercollider Symposium – Berlin
Berlin - Germany
2009
Adieux
Portuguese Premiere
For Saxophone Soprano and live Electronics
Temporada MISOMUSIC at Concert auditorium Phillippe Friedman
IFP Lisboa – Portugal.
Interpreten:
Pedro Bittencourt Saxofone
Paulo Ferreira-Lopes Electronics
Lisbon, Portugal
Isto não é um concerto – Concept and Composition
Multimedia Concert for Chamber orchestra , 5 Soloist, Video and live
Electronics
ORQUESTRUTOPICA
Production- Centro Cultural Belém
Lisbon, Portugal
http://www.ccb.pt/sites/ccb/en-EN/programacao/musica/Pages/OUIstonãoéumconcerto!.aspx
2009
TransFronteiras - Konzept & Leitung
Multimedia Concert for Chamber orchestra Video and Live Electronics
after Luís Campos visuals,
CULTURGEST- LISBOA ( Co-Produktion ORQUESTRUTOPICA)
Lisbon, Portugal
2009
eu hei-de voltar
French Premiere
Chamberopera
Femalevoice, Live Electronics and Video.
Ensemble Abstraï,
Conductor Nuria Cunnilera.
Script from António Lobo Antunes (basen on Novel: As Naus).
Vídeo Sebastian Schmidt.
Concert hall Jacques Coeur – Paris University
Paris, France
2008
deProfundis
Portuguese Premiere
Solo Violine and Live Electronics
FESTIVAL MUSICAVIVA at Centro Cultural de Belém –
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
25
Violin: José Machado
Live Electronics :Paulo Ferreira-Lopes
Lisbon, Portugal
adE
Portuguese Premiere
Solo Oboe und Live Electronics
Festival MPH – Musica Portuguesa Hoje
Oboe – Aldo Salvetti
Live Electronics :Paulo Ferreira-Lopes
Centro Cultural Belém Lissabon, Portugal
2008
eu hei-de voltar
German Premiere
Kammeroper
Frauenstimme live Electronics und Video.
Ensemble Abstraï,
Dirigent Nuria Cunnilera.
Text von António Lobo Antunes (basierend auf dem Roman “Die
Karavellen”).
Vídeo: Sebastian Schmidt.
Zentrum für Kunst Medientechnologie – Karlsruhe, Germany
2007
Wintermusik aus dem Buch der Dunkelheit
Werk für Video und Musik
Vídeo: Claudia Robles.
Uraufführung im Rahmen des Festival MUSICAVIVA 2007
CASA DA MUSICA – Porto, Portugal
Aufführung des Werkes 2008
Museo de Arte Moderna de Medlin – Medlin Colombia
VISUAL SOUNDS Festival Musik Intermedial - Colónia – Alemanha.
Aufführung des Werkes 2009
FESTIVAL MUSICAVIVA09 no Centro Cultural de Belém - Portugal
ESPACIO PLASMA – Buenos Aires - Argentina
Festival 12 Nights – Miami - EUA
2007
Three Short songs from the darkness book
Musikalische Komposition für Saxophon Bariton und Live Electronics
Uraufführung im Rahmen des FESTIVAL sax+ 2007 ZKM, Zentrum für
Kunst und Medientechnologie - Karlsruhe Germany
Interpreten:
Saxofon:Pedro Bittencourt
Live Electronics :Paulo Ferreira-Lopes
Aufführung des Werkes 2007
PERFORMA07 Universidade de Aveiro- Portugal
Ausstrahlung des Werkes 2008:
DEGEM Radio – Berlin , Germany
Aufführung des Werkes 2009:
Cité Universitaire de Paris - France
Centro Cultural de Belém (Co-Produktion ORQUESTRUTOPICA)
2007
A Christmas Carol
Jugendchor, Zwei Sprechgesänge und Video.
TEATRO-CINE TORRES VEDRAS –
(Co-Produktion CCC)
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
26
Torres Vedras, Portugal
2006
ceT
Kammeroper , “Live Elecronics” und Video.
Vídeo – Claudia Robles
Ensemble - OrchestraUtopica
Dirigent - Tapio Tuomela
Sängerin – Carla Simões
Live Elecronics - Paulo Ferreira-Lopes
Festival Internacional de Música da Costa do Estoril
Estoril, Portugal
2005
NaT1
Musikalisches Werk, 4 Kanal
Uraufführung im Rahmen der ICMC 2005
International Computer Music Conference
Barcelona, Spanien
2005
noD2
Music Composition for , 4 Chanel audio system
Premiere- Jim's 2005
Journées d'Informatique Musicale
Paris, France
2004
noD1
Music Composition for Saxophon Sopran, Quartett und Live
Electronics.
Premiere World Music Days
Zürich, Schweiz
2002
sotto voce
Music Composition for Violoncello Solo und Live Electronics
Produktion: Beverley Ellis
Premiere 2002 – MUSIKFESTIVAL – ZKM, Karlsruhe
Interpretes : Dirk Beiss
Premiere 2007 – Festival Produced@, Germany
Ensemble Modern Frankfurt – Eva Böcker
Premiere 2008:
Ensemble Modern Frankfurt – Eva Böcker
New York EUA
Kompositionsauftrag des ZKM/ Institut für Musik und Akustik, Karlsruhe
2001
NaT 2
Für Ensemble, Frauenstimme, “Live Elecronics” und Vídeo.
Video – Annick Golay
Ensemble - AccrocheNote
Sängerin – Françoise Kubler
Live Elecronics - Paulo Ferreira-Lopes
FESTIVAL MUSICA STRASBURG
Strasburg, France
Kompositionsauftrag der DANZER STIFTUNG
2001
Paulo Ferreira-Lopes
MemoriaFutura Bacon
Curriculum Vitae / February 2013
27
Für Vokal Ensemble (12 Stimen), Ensemble “Live Elecronics” und
Video
Vídeo: Lawrence Wallen
Inszenierung: Thea Brejzek
Ensemble KlangForum Wien
Produktion: Netzzeit
Schauspielhaus Wien, Österreich.
Kompositionsauftrag : ViVace / Netzzeit
2000
doN
For 1 Actor und 1 Trompete, Live Elecronics und Video
Video – Annick Golay
Trompete : Stephen Mason
Licht - Horácio Fernandes
Inszenierung : José Manuel Ramalho
Produktion : CULTURGEST / ZKM / MUSICASTRASBOURG
Werk Uraufführung :
Zentrum für Kunst und Medientechnologie - Karlsruhe - Germany
Festival Olhares de Outono EA-UCP Porto - Portugal
Centro Cultural Belem Lissabon – Portugal
Kompositionsauftrag : CAIXA GERAL DEPOSITOS und ZKM
1999
Xanthosis
German Premiere
Video and Music
Vídeo – Lawrence Wallen.
Uraufführung im Rahmen der „European Integration by Culture
Communication", ZKM, Karlsruhe, Germany
Karlsruhe, Germany
Kompositionsauftrag des ZKM /Institut für Musik und Akustik
1998
a torre do mar
Portuguese Premiere
Video Opera –
Vídeo – Annick Golay.
Leitung José Manuel Ramalho
Musik – Paulo Ferreira-Lopes
Expo 98 festival dos 100 dias
Lissabon, Portugal
Kompositionsauftrag der EXPO98
1998
Nezach VII
Czechoslovakia Premiere
For Large Ensemble
Festival " Musica Judaica Prag"
Interpretation: Ensemble Aventure
Prag - Czechoslovakia
1998
Nezach VI
German Premiere
For Large Ensemble
DOCUMENTA X KASSEL
Ensemble Mondschein
DOCUMENTA X - Kassel, Germany
1998
Glückliche Tage
German Premiere
Musiktheater nach einem Stück von Samuel Beckett
Stadttheater Gießen , Germany
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
28
Paulo Ferreira-Lopes
Curriculum Vitae / February 2013
29