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Issue CCVIII - Weekly Edition: March 6 - March 12, 2013
Movie-Se: History of Animation at CCBB
March 5, 2013 |
Filed under Entertainment | Posted by Maria Lopez Conde
By Maria Lopez Conde, Contributing Reporter
RIO DE JANEIRO, BRAZIL – For the next month, the Centro Cultural do Banco do Brasil (CCBB – Brazil’s
Bank Cultural Center) in Rio will be presenting the exhibition, Movie-Se, an overview of the history, culture, and
future of animation. Conceived and curated by London’s renowned Barbican Centre, the exposition invites
visitors to appreciate cartoons as important and influential elements in our culture.
From the earliest black and white cartoons to the
latest in contemporary, avant-garde animation,
Movie-Se offers a complete view of the history of
animation through over one hundred works divided
into six themes: Apparitions, Fables and Fragments,
Characters, Superhumans, Structures, and Visions.
Instead of introducing titles chronologically, the
thematic categories introduce viewers to specific
characteristics that make animation work.
A still from Jiří Trnka’s influential, The Hand (1965),
photo by CCBB/Press Image.
Divided in rooms all through the CCBB’s first floor,
Movie-Se starts with snippets of movies from the
earliest pioneers of animated film: the English
Eadweard Muybridge and the French Étienne-Jules
Marey and the Lumière Brothers.
These early pictures produced at the end of the
1890s – a cat falling on the ground, a woman dancing, legs walking across the screen – give the viewer a
historical context of the birth of movies, and then placed next to a 1929 Walt Disney film featuring lively cartoon
skeletons dancing at a cemetery, show just how much the craft advanced in a mere thirty years.
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10. Movie-Se: History of Animation at CCBB
The works in the second room, “Fables and Fragments,” contain some of the most recognizable movies of the
twentieth-century. In a dark, cozy, and improvised private screening area, the exhibition encourages viewers to
take a seat and revisit classics that bring fables to life, like Walt Disney’s “Snow White” (1937) and
“Pinocchio,” (1940) as well as lesser-known, but innovative short films like puppeteer Jiří Trnka’s finest work,
“The Hand,” (1965) and Tim Burton’s first stop motion short, “Vincent” (1982).
A collection of the most memorable animated
characters of all time greets visitors in the
“Characters” section, featuring images and clips of
Yogi Bear, Roger Rabbit, Betty Boop and Bart
Simpson, among others.
“Superheroes” brings together the Hulk, clips from
the Japanese manga-turned-anime cartoon, Sailor
Moon (1992-1997), as well as Studio Ghibli’s
animated epic, “Princess Monokoke” (1997).
The exhibition will remain at the CCBB until April 7th,
2013, photo by Maria Lopez Conde.
The last two rooms feature movies that focus more
on techniques than on accurately portraying wellknown stories or realistic characters. Particularly,
“Alone: Life Wastes Andy Hardy” (1998) is featured
in “Structures,” as a film that makes the leap into
experimental art by exploring the DNA of movies
with a number of quick scenes after another.
Weather in Rio de Janeiro, Brazil
Finally, “Visions” examines the increasingly
important role of technology in modern feature films using Disney’s futuristic “Tron” (1982) and artist Ryan
Trecartin’s contemporary work. The last part of the exhibit – one created specifically for Brazilian audiences –
boasts a small number of Brazilian animated classics.
The exhibition, which opened on February 5th and will remain open until April 7th, has drawn crowds of kids of
all ages to the historic CCBB building in downtown Rio. Gilcarlos and Luciana Teixeira, a married couple who
found out about the exhibit while walking down Centro, brought their 6-year-old son, Guilherme, here last
Sunday.
“I liked the cartoons and that they tell the story of cartoons,” Guilherme said, after walking out of the exhibit. “I
think Movie-Se is very educational and great for the entire family,” Mr. Teixeira added.
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Movie-Se: No Tempo da Animação
Dates: February 5th – April 7th, 2013
Times: Tuesday-Sunday 9am-9pm
Venue: Centro Cultural Banco do Brasil (CCBB)
Address: Rua Primeiro de Março, 66 – Centro – RJ
Tickets: FREE
The Rio Times Online 13 Mar 2013
http://riotimesonline.com/brazil-news/rio-entertainment/movie-se-the-history-of-anim... 07/03/2013
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Bravo! Cinema
História que se move
03.02.2013 12:32
E, portanto, se move...
João Sicsú
Luis Nassif
17
Distribuição da renda
após dez anos
A chegada dos
tempos 3
MOVIE-SE – NO TEMPO
Menalton Braff
Mino Carta
Cara de anjo
A peculiaridade
DA ANIMAÇÃO
CCBB, Rio de Janeiro
De terça 5 a 7 de abril
Desde que o americano Winsor McCay lançou em 1911 o curta-metragem Little Nemo, ou
Pequeno Nemo Animado, o mundo da animação -tornou–se- amplo e coletivo, mas
essencialmente pessoal. É do afeto particular, sobretudo, de que vivem os personagens do
passado e em constante renovação no imaginário popular, como atenta o especialista Greg Hilty.
Essa afeição terá certamente respaldo na mostra de fôlego sob sua responsabilidade que tem
início na terça 5, no Centro Cultural Banco do Brasil, no Rio de Janeiro.
Movie-se – No Tempo da Animação, que segue em
Eventos
Premiação
O melhor de ‘As Empresas Mais Admiradas 2
Saiba tudo o que ocorreu na última edição do evento
abril para o CCBB de Brasília, reúne um lote de cem
trabalhos entre instalações, projeções e desenhos do
acervo do Barbican Centre de Londres. O histórico
dá conta do pioneirismo de McCay, ainda com sua
bem–sucedida dinossauro Gertie, as criações
tradicionais de Walt Disney, seu seguidor, dos
estúdios modernos como o Pixar e, por fim, das
chamadas animações adultas no cinema e na tevê, a
exemplo dos filmes de Tim Burton, de Persepolis
(2007), da iraniana Marjane Satrapi, e dos Simpsons.
São projetos tributários em maior ou menor grau de
invenções seminais como a rotoscopia de Max
Fleischer, que entre 1918 e 1929 criou a série muda
em que personagens famosos como Betty Boop e o
palhaço Koko saíam de seu tinteiro para interagir
com o criador.
Com afeto. Betty Boop, clássico de Max
Fleischer
ver tod
Natural a prevalência e Los Angeles dado o alcance
dos contos de fada de Disney, dos infantis de Hanna
Barbera e da força atual dos estúdios americanos. Mas a seleção oferece a possibilidade de
contato com outras técnicas tradicionais e sofisticadas. É o caso da França, com Georges Méliès
e Fernand Léger, com seu balé mecânico, e do Japão, que dos mangás de Masami Kurumada, de
Os Cavaleiros do Zodíaco, e do erotismo de Toshio Maeda, avança para o elaborado e surreal
traço de Hayao Miyazaki, o realizador de A Viagem de Chihiro. Cabe à Alemanha uma das poucas
precursoras no meio masculino, Lotte Reiniger, que em 1926 animou Príncipe Achmed, um raro
desenho que ainda se tem registro hoje. E prova de que o gênero avançou para outras linguagens
está na adoção pelas artes plásticas, de que fazem uso nomes como o belga Francis Alÿs.
Carta Capital03 Feb 2013
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Revista de Cinema/UOL08 Feb 2013
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O Globo online 1/304 Feb 2013
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 
O Globo online 2/304 Feb 2013
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O Globo online 3/304 Feb 2013
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