澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Macau Orchestra would like to announce the following vacancies:
Concertmaster
Violin Tutti
Principal Viola
Viola Tutti
Cello Tutti
Principal Double Bass
Double Bass Tutti
Bass Trombone Tutti
Application Deadline: Received by October 15, 2013 (email confirmation will be sent)
Results: on or before November 15, 2013 (via email)
Finalists will be invited to participate in a trial in Macau in addition to a live audition. Airfare, hotel
accommodations and travel stipend will be provided.
To begin employment immediately after work visa is completed (usually 4 months) or as independently
negotiated
Terms and conditions of employment:
Full details can be found at http://www.icm.gov.mo/om/en/recruit/
Salary (gross, in Macao currency, MOP)
Principal musicians: MOP 31999.40 per month;
Tutti musicians: MOP 25332.90 per month;
Tutti musicians with doubling: MOP 26666.20 per month;
Monthly housing subsidy: MOP 1500.00
30 days paid vacation, to be taken in August
Holiday bonus equivalent to one month’s salary (pro rata)
Macau Tax rate is 2-3% of gross domestic income
Applications must be submitted by post. The following should be contained:
 Application form
 1 copy of passport
 1 copy of school diplomas or proof of current employment
 3 copies of a recent photograph
 1 copy of an audition DVD which should be UNEDITED, CONTINUOUS of ALL EXCERPTS
MARKED [TAPE] and may be performed in any order
Please mail completed application packets to:
Macau Orchestra
Avenida Conselheiro Ferreira de Almeida,
no. 95A,
Macao, Macau
For inquiries:
Telephone: +853 8295 7300 / 2853 0782
Fax: +853 2853 0666
Email: [email protected]
Website: www.icm.gov.mo/om/en/
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
APPLICATION FORM: MACAO ORCHESTRA
Last name
First name
Date of Birth:
Personal Information
dd
Nationality
Sex
M
F
Place of Birth
mm
yy
English ability


Passport number
Excellent Good Poor none
Email address
Permanent Address
Postcode
Telephone
Mobile
Pager
Fax
Conservatory/University
Major
Teacher
Date
Place
Name of Award
Degree obtained
Awards and
Honors
Professional
Education
Date
Position
Places and Dates of Solo Performances
Preferences
Orchestra
Experience
Orchestra
Instrument you are applying for:
Position you are applying for:
If we are not able to offer you a principal position, would you accept a position as a section player?
Yes 
If we are not able to offer you a position at present, would you be interested in taking a reserve position?
Yes 
No 
No 
Applicant’s Signature: _____________________________________________ Date: _____________________
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Concertmaster
Audition Excerpts
One from the following Mozart Concertos, KV 216, KV 218 and KV 219, 1 st Movement with cadenza.
Solo excerpts: Strauss Ein Heldenleben
Rimsky-Korsakov Scheherezade
Bach St. Mattew’s passion No. 42 “Gebt mir meinen Jesum wieder”
Beethoven Missa Solemnis Benedictus
Solo Repertoire
One of the following Mozart concertos: No. 3, 4 or 5. First movement with cadenza
One movement of a major violin concerto or work
Up to 10 minutes of either solo: if Mozart include cadenza
Orchestra excerpts
Mozart:
Symphony No. 39
Finale
Brahms:
Symphony No. 4
3rd Movement –beginning to one after F
4th Movement – 8 before B to D
R. Strauss:
Don Juan
Page 1 (Beginning to 9 before D)
Prokofiev:
Classical Symphony
1st and 2nd Movement
Bruckner:
Symphony No. 6
1st Movement
Schubert:
Symphony No. 2
1st Movement
Schubert:
Symphony No. 4
4th Movement
Schumann:
Symphony No. 2
2nd Movement – Beginning to 20 after K
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Audition Repertoire for Tape and Final Rounds
Tape round repertoire is marked with [TAPE]. All material is required for live audition
Violin Tutti
Solo Repertoire
One of the following Mozart concertos: No. 3, 4, or 5. First movement with cadenza
One movement of a major violin concerto or work
Up to 10 minutes of either solo: if Mozart include cadenza [TAPE]
Orchestral excerpts
1st violin part:
Mozart: Symphony No. 39
Finale
Brahms: Symphony No. 4
3rd Movement – beginning to one after F
4th Movement – 8 before B to D [TAPE]
R. Strauss: Don Juan.
Page 1 (Beginning to 9 before D) [TAPE]
Prokofiev: Classical Symphony
1st and 2nd Movement
Bartok: Concerto for Orchestra
1st movement measure 76-135
Bruckner: Symphony No. 6
1st Movement
Schubert: Symphony No. 2
1nd Movement
Schubert: Symphony No. 4
4th Movement
Schumann: Symphony No. 2
2nd Movement – Beginning to 20 after K [TAPE]
Sight reading may be required according to the panel’s decision
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Audition Repertoire for Tape and Final Rounds
Tape round repertoire is marked with [TAPE]. All material is required for live audition
Principal Viola
Solo Repertoire
Two contrasting solos or concertos from standard repertoire
Up to 10 minutes of either solo [TAPE]
Orchestral excerpts
Beethoven: Symphony No. 7
1st Movement – mm. 222 – 274 [TAPE]
Berlioz: Harold in Italy
12 measures before rehearsal 3 to 41 measures after rehearsal 6
Brahms: Symphony No. 4
2nd Movement – mm. 64-71 [TAPE]
3rd Movement – beginning to A
3rd Movement – mm. 125 – 139
4th Movement – mm. 41 - 80
Mendelssohn “Midsummer Night’s Dream”
Scherzo [TAPE]
Mozart: Symphony No. 35.
4th Movement – Beginning to bar 80
Shostakovich: Symphony No. 5
1st movement [TAPE]
Strauss: Don Juan
Opening to D [TAPE]
14 before W to W
Tchaikovsky: Symphony No. 6
1st movt 12 bars before A to 3 bars after D,
10 bars before H to 5 bars before I (both upper and lower sections)
Wagner: “Tanhunser” Overture
Measure 242 to 292
Wagner: The Flying Dutchman Overture
Measure 96 to 163
Measure 251 to 275
Measure 306 to 389
Sight reading may be required according to the panel’s decision
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Audition Repertoire for Tape and Final Rounds
Tape round repertoire is marked with [TAPE]. All material is required for live audition
Tutti Viola
Solo Repertoire
The first movement of one of the following concertos: Walton, Hindemith, Bartok or Stamitz
For [TAPE] round: exposition of the solo selected from above
Orchestral excerpts
Beethoven: Symphony No. 7
1st Movement – mm. 222 – 274 [TAPE]
Brahms: Symphony No. 4
2nd Movement – mm. 64-71 [TAPE]
3rd Movement – beginning to A
3rd Movement – mm. 125 – 139
4th Movement – mm. 41 – 80
Mendelssohn “Midsummer Night’s Dream”
Scherzo
Mozart: Symphony No. 35.
4th Movement – Beginning to bar 80
Shostakovich: Symphony No. 5
1st movement [TAPE]
Strauss: Don Juan
Opening to D [TAPE]
Tchaikovsky: Symphony No. 6
1st movt 12 bars before A to 3 bars after D,
10 bars before H to 5 bars before I (both upper and lower sections)
Sight reading may be required according to the panel’s decision
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Audition Repertoire for Tape and Final Rounds
Tape round repertoire is marked with [TAPE]. All material is required for live audition
Cello Tutti
Solo Repertoire
Haydn D major concerto 1st movement [TAPE – EXPOSITION ONLY]
Any standard concerto (i.e. Dvorak, Schumann, Saint-Saens, etc) 1st movement.
Orchestral excerpts:
Beethoven symphony No.5:
2nd movement
Beginning to mm. 10 [TAPE]
Bars 49 to 59
Bars 98 to 106
Bars 114 to 123
3rd movement
beginning to bar 218
Brahms symphony No.2:
2nd movement beginning to mm. 32
Mozart symphony no.35:
4th movement
Beginning to bar 37 [TAPE]
Bar 57 to 79
Bar 134 to 181
Debussy La Mer:
2 bars before #9 to 6 bars before #10 [TAPE]
Smetana Bartered Bride, Overture:
Beginning to A
Strauss Don Juan:
Beginning to 4 bars before D [TAPE]
7 bars before G to H
6 bars after O to 14 bars before Q
R to T
11 bars after V to 14 bars before X
Mendelssohn: Midsummer Night’s Dream - Scherzo
Rehearsal C to D [TAPE]
Rehearsal M to O
Prokofiev symphony No.5:
4th movement: Bar 15 to 22
Sight reading may be required according to the panel’s decision
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Principal Bass
Tape round repertoire is marked with [TAPE]. All material is required for live audition
Solo Repertoire
One Movement of a concerto from the standard repertoire
Dance movement from Bach [TAPE]
Orchestral excerpts
Beethoven: Symphony No. 5
3rd Movement – beginning to 5 after A
3rd Movement – Trio to 23 after B [TAPE]
Beethoven: Symphony No. 9
4th Movement – Beginning to A
Brahms: Symphony No. 2
1st Movement – E to F
Haydn: Symphony No. 31
4th mvt solo [TAPE]
Mahler: Symphony No. 1
3rd movement solo
Mendelssohn: Symphony No. 4
4th Movement – 19 mm. before rehearsal A to A
Mozart Symphony No. 35
4th Movement – measures 134 – 181 [TAPE]
Strauss: Ein Heldenleben
Rehearsal 9 – 13 [TAPE]
Strauss: Don Juan
Rehearsal A to C
Stravinsky: Pulcinella
Solo from Vivo
Verdi: Othello
Act 4
Sight reading may be required according to the panel’s decision
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013
澳 門 特 別 行 政 區 政 府
Governo da Região Administrativa Especial de Macau
文 化 局
Instituto Cultural
Bass Trombone
Tape round repertoire is marked with [TAPE]. All material is required for live audition
Solo Repertoire
Bach Cello Suite No. 5, Sarabande, without repeats [TAPE]
Lebedev: 1st Concerto (Concerto in one movement)
OR Sachse: Concertino in F-Major 1st and 2nd movement
Orchestral excerpts
Beethoven: Symphony 9,
4th Movement – Andante maestoso
Berlioz: Hungarian March (Damnation of Faust),
6 before 20 to 2 after 21
Brahms: Symphony No 1
C to 15 bars after C
Franck: Symphony in D minor,
3rd Movement – N to 16 before O
Haydn: The Creation,
No. 26 [TAPE]
Kodaly: Hary Janos,
4 bars after 5 to 10 bars after 6
Respighi: Fountains of Rome
Rehearsal 11 to 14
Rossini: La Gazza Ladra,
Measures 115 to downbeat of 139
Measures 276 to 291 [TAPE]
Rossini: William Tell Overture
Storm scene
Schumann: Symphony 3 ("Rhenish")
4th movement opening to bar 18 [TAPE]
Strauss: Eine Alpensinfonie, (3rd tbn)
Rehearsals 74 to 75,
2 measures before fig 80 to fig 81
Strauss: Ein Heldenleben,
Rehearsal 51 to 2 bars after rehearsal 56,
Rehearsal 61 to figure 65 [TAPE]
Wagner: Lohengrin, Prelude to Act III,
B to 3 before C
7 after D to the end [TAPE]
Wagner: Ride of the Valkyries,
Minor passage and tutti major passage
Sight reading may be required according to the panel’s decision
文化局 格式六
A-4 規格印件 2013 年 8 月
IC - Modelo 6
Formato A-4 Imp. Aug. 2013