bibliografia
curadoria e arte contemporânea
ALEXANDER, Victoria D. Museus and money: the impact of
funding on exhibitions, scholarship and management.
Indianapolis (USA): Indiana University Press, 1996.
ALTSHULER, Bruce. The avant-garde in exhibition. New
York: Harry N. Abrams, Inc., 1994
BAL, Mieke. Double exposure: the subject of cultural
analysis. New York: Routledge, 1996.
BALKEMA, Annette W.; SLAGER, Henk.
(Ed.). Still the museum.
Rotterdam: Still Foundation, 1996.
BARKER, Emma (Ed.). Contemporary cultures of display.
London: Yale University Press: The Open University, 1999.
BASBAUM, Ricardo (Org.). Arte contemporânea brasileira,
texturas, dicções, ficções, estratégias. Rio de Janeiro: Rios
Ambiciosos, 2001.
BELCHER, Michael. Exhibitions in museums. Washington
DC: Smithsonian Institution Press, 1991.
BENNETT, Tony. Pasts beyond memory: evolution,
museums, colonialism. New York: Routledge, 2004.
BENNETT, Tony. The birth of the museum: history, theory,
politics. New York: Routledge, 1995.
BERGER, Maurice. Museums of tomorrow: an internet
discussion. New York: Issues in Cultural Theory, n. 8, 2004.
1
BERYL, Graham; COOK, Sarah. Rethinking curating. Art
after New Media. Cambridge: The MIT Press, 2010.
BLAKE, Nayland; RINDER, Lawrence; SCHOLDER, Amy.
(Editores). In a different light. San Francisco (USA): City
Lights, 1995.
BOURDIEU, Pierre; DARBEL, Alain.
O amor pela arte. São Paulo:
Edusp e Ed Zouk, 2003.
BRONSON, A. A.; GALÉ, Peggy (Ed.). Museums by artists.
Toronto: Art Metrópole, 1983.
CARRIER, David. Museum skepticism: a history of the
display of art public spaces. London: Duke University
Press, 2006.
CHAIMOVICH, Felipe (Org.). Grupo de estudos de
curadoria: Exposições organizadas em 1998 e 1999. São
Paulo: Museu de Arte Moderna de São Paulo, 2008.
CHIARELLI, Tadeu (Org.). Grupo de estudos em curadoria:
Exposições organizadas em 1998. São Paulo: Museu de
Arte Moderna de São Paulo, 1998.
CHIARELLI, Tadeu (Org.). Grupo de estudos sobre
curadoria: Exposições organizadas em 1999. São Paulo:
Museu de Arte Moderna de São Paulo, 1999.
CHILVERS, Ian. A dictionary of twentieth-century art. USA:
Oxford University Press, 1999.
CLIFFORD, James. The predicament of culture: twentiethcentury ethnography, literature and art. Cambridge: Harvard
University Press, 1988.
COOKE,
Lynne;
WOLLEN,
Peter
(Ed.).
Visual
display/culture beyond appearances. Dia Center for the Arts
discussions in contemporary culture. Seattle: Bay Press, n.
10, 1995.
2
CRANE, Susan (Ed.). Museums and memory. Stanford:
Stanford University Press, 2000.
CRIMP, Douglas. On the museum’s ruins. Cambridge: The
MIT Press, 1993.
CROW, Thomas. Modern art in the common culture.
London: Yale University Press, 1996.
CUNO, James. (Ed.). Whose muse? Art museums and the
public trust. Princeton: Princeton University Press; Havard:
Harvard University Art Museums, 2004.
DAMISCH, Hubert. L’amour m’expose. Gand: Yves Gevaert
Éditeur, 2000.
DUNCAN, Carol. Civilizing rituals:
museums. London: Routledge, 1995.
inside
public
art
DÜTTMANN, Alexander García et al.. The end(s) of the
museum. Barcelona: Fundació Antoni Tàpies, 1996
Elderfield, John (Ed.). Imagining the future of the Museum
of Modern Art, New York, 1998. (Studies in Modern Art, 7).
New York: The Museum of Modern Art, 2002.
FIBICHER, Bernard. (Org.). L’art exposé. Sion: Musée
Cantonal des Baux Arts, 1995.
FISHER, Philip. Making and effacing art: American art in a
culture of museums. Oxford: Oxford University Press, 1991.
FOSTER, Hal. Recordings: art, spectacle, cultural politics.
Seattle: Bay Press, 1985.
FUNDACIÓ ANTONI TÁPIES. Els limits del museu.
Barcelona: Fundació Antoni Tápies, 1995.
GILLICK, Liam; LIND, Maria (Eds.). Curating with light
luggage. Frankfurt: Revolver, 2005.
3
GREENBERG, Reesa; FEGURSON, Bruce; NAIRNE,
Sandy. Thinking about exhibitions. Londres: Routlegde,
1996.
GUELTON, Bernard. L’Exposition: interpretation
réinterprétation. Paris: L’Harmattan, 1998.
et
GUMIER MAIER, Jorge. Curadores, entrevistas. Buenos
Aires: Libro Del Rojas, 2005.
HANNULA, Mika. (Ed.). Stopping the process?
Contemporary views on art and exhibitions. Helsinki: NIFCA
Publications, n. 1, 1998.
HARDING, Anna. Curating: the contemporary museum and
beyond. London: Willey Academy, 1997.
HEIN, Hilda. The Exploratorium: the museum as laboratory.
Washington: Smithsonian Institution Press., 1990.
HILLER, Susan; MARTIN, Sarah (Eds.). The producers:
contemporary curator in conversation. Gateshead: Baltic,
2000;
HOOPER-GREENHILL, Eilean. Museums and the shape of
knowledge. London: Routledge, 1992.
HORNE, Donald. The great museum: the representation of
history. London: Pluto Press, 1984.
HUDSON, Kenneth. A social history of museums. London:
Macmillan, 1975.
IMPEY, Olivier; MCGREGOR, Arthur. The origin of the
museums: the cabinet of curiosity in sixteenth and
seventeenth centuries Europe. Oxford: Clarendon Press,
1985.
JACOB, Mary Jane; BRENSON, Michael (Ed.).
Conversations at the castle: changing audiences for
contemporary art. Boston: MIT Press, 1998.
4
KARP, Ivan. (Ed.). Museums and communities: the politics
of public culture. Washington: Smithsonian Institution
Press, 1992.
KARP, Ivan; LAVINE, Steven D. Exhibiting cultures: the
poetics and politics of display. Washington: Smithsonian
Institution Press, 1991.
KING, Catherine (Ed.). Views of difference: different views
of art. London: Yale University Press, 1999.
KIRSHENBLATT-GIMBLETT, Barbara. Destination culture:
tourism, museums and heritage. Berkeley: University of
California Press, 1998.
KLÜSER, Bernd; HEGEWISCH, Katharina L’art de
l’exposition: une documentation sur trente expositions
exemplaires du XXème siècle. Paris: Editions du Regard,
1998.
KRAUSS, Rosalind. “Postmodernism’s museum without
walls”. In: GREENBERG, Reesa; FERGUSON, Bruce W.;
NAIRANE, Sandy (Orgs.). Thinking about exhibitions.
London: Routledge, 1996. p. 340-48.
KRAUSS, Rosalind. The cultural logic of the late capitalist
museum. Cambridge: The MIT Press, n. 54, p. 3-17, fall,
1990.
KRAVAGNA, Christian (Ed.). The museum as an arena.
Köln: Buchhandlung Walter König, s. d.
KUONI, Carin. (Ed.) Words of wisdom – A curator’s vade
mecum on Contemporary Art. New York: Independent
Curators International, 2001.
LEEUW, Riet de; BEER, Evelyn (Org.). L’exposition
imaginaire. Gravenhage: Rijksdienst Beeldende Kunst,
1989.
LEÓN, Aurora. El museo: teoria, praxis y utopia. Madrid:
Cuadernos de Cátedra, 1995.
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LUMLEY, Robert. (Ed.). The museu time machine: putting
culture on display. London: Routledge; New York: Comedia,
1988.
MALRAUX, André. O museu imaginário: as vozes do
silêncio. Lisboa: Edições Livros do Brasil, s. d.
MARINCOLA, Paula. (Org.). What makes a great
exhibition? Philadelphia: Philadelphia Exhibitions Initiative,
dist. Reaktion Books & The University of Chicago Press,
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MCCLELLAN, Andrew (Ed.). Art and its publics: museum
studies at the millennium. Oxford/Victoria: Blackwell
Publisher, 2003.
MCDONALD, Sharon; FYFE, Gordon. (Eds.). Theorizing
museums: representing identity and diversity in a changing
world. Oxford/Cambridge: Blackwell Publisher, 1996.
MCGUIGAN, Jim. Culture and the public sphere. London:
Routledge, 1996.
MCSHINE, Kynaston. The museum as muse: artists reflect.
New York: The Museum of Modern Art, 1999.
MICHAUD, Yves (Org.). En revenant de l’expo. Les cahiers
du Musée National d’Art Moderne. Paris: Centre Georges
Pompidou, 1989.
MICHAUD, Yves. L’artiste et les commissaires: quatre
essais non pás sur l’art contemporain mais sur ceux qui
s’en occupent. Marseille: Édition Jacqueline Chambon,
1989.
MILES, Malcolm. Art, space and the city. London:
Routledge, 1997.
MITCHELL, W. J. T. (Ed.). Art and the public sphere.
Chicago: University of Chicago Press, 1992.
6
MOSQUERA, Gerardo. Beyond the fantastic: contemporary
art criticism from Latin America. Cambridge/London: MIT
Press, 1996.
MOURA, Rodrigo (Org.). Políticas institucionais, práticas
curatoriais. Belo Horizonte: Museu de Arte da Pampulha,
2005.
NELSON, Robert.; SHIFF, Richard. (Eds.). Critical terms for
art history. Chicago/London: University of Chicago Press,
1996.
NEWHOUSE, Victoria. Towards a new museum. New York:
Monacelli Press, 1998.
NOEVER, Peter. (Ed.). The discursive museum. Ostfildern:
Hatje Cantz, 2001.
O’DOHERTY, Brian. No interior do cubo branco. A
ideologia do Espaço da Arte. São Paulo: Martins Fontes,
2002.
O’NEIL, Paul e WILSON, Mick. Curating and the
Educational Turn. Amsterdam & London, de Appel and
Open Editions, 2009.
O’NEIL, Paul. (Org.). Curating subjects. Amsterdam: De
Appel, 2007.
OBRIST, Hans Ulrich. A brief history of curating.
Zurich/Dijon: JRP/Ringier & Les Presses du Réel, 2008.
OROSZ, Joel J. Curators and culture: the museum
movement in America 1740-1870. Tuscallosa/London:
University of Alabama Press, 1990.
PAPADAKIS, Andreas (Ed.). New museology. London:
Academy Editions, 1991.
PEARCE, Susan M. Museums, objects, and collections: a
cultural study. Leicester: Leicester University Press, 1992.
7
PERRY, Gill; CUNNINGHAM, Colin. Academies, museums
and canons of art. London/New Haven: Yale University
Press, 1999.
PHILLIPS, David. Exhibitions authenticity. Manchester:
Manchester University Press, 1997.
POINTON, Marcia (Ed.). Art apart: art institutions and
ideology across England and North America. Manchester:
Manchester University Press, 1994.
POLLOCK, Giselda; ZEMANS, Joyce (Eds.). Museums
after modernism: strategies of engagement. Victoria:
Blackwell Publishing, 2007.
PREZIOSI, Donald. Brain of the earth’s body: art, museums
and the phantasms of modernity. Minneapolis/London:
Minnesota: University Press, 2003.
PREZIOSI, Donald (Ed.). “The other: art history and/as
museology”. In: The art of art history: a critical antology.
Oxford: Oxford University Press. 1988.
PRYOR, Nick. Museums and modernity: art galleries and
the making of modern culture. New York: Berg, 2002.
PUTNAN, James. Art and artifact: the museum as medium.
London: Thames&Hudson, 2002.
QUINCEY, Quatrmère de. Considerátions morales sur les
destinations des ouvrages de l’art (1815). Paris: Fayard,
1989.
RAMOS, Alexandre Dias (Org.). Sobre o ofício do curador.
Porto Alegre: Editora Zouk, 2010.
RAND, Steven (Ed.). Cautionary tales: Critical curating.
New York: Apexart, 2007.
RAND, Steven; KOURIS, Heather. Cautionary tales: critical
curating. New York: Apexart, 2007.
8
RICO, Juan Carlos. Museos/arquitetura, arte: los espacios
expositivos. Madrid: Sílex Ediciones, 1999.
SANDELL, Richard. (Ed.). Museums, society, inequality.
London: Routledge, 2002.
SCHAER, Roland. L’invention
Découvert Gallimard, 1996.
des
musées.
Paris:
SEROTA, Nicholas. Experience or interpretation: the
dilemma of museums of modern art. London:
Thames&Hudson, 1996.
SHERMAN, Daniel; ROGOFF, Irit (Eds.). Museu/Culture:
histories, discourses, spectacles. Minneapolis: University of
Minnesota Press, 1994.
STANISZEWSKI, Mary Anne. The power of display: a
history of exhibitions installations at the museum of modern
art. Cambridge: MIT Press, 1998.
STOCKING JR, George (Ed.). Objects and others: essays
on museums and material culture. Madison: University of
Wisconsin Press, 1985.
SZEEMANN, Harald. Ecrire les expositions. Bruxelas: La
Lettre Volée, 1996.
TANNERT, Cristoph; TISCHLER, Ute; KUNSTLERHAUS,
Bethanien (Eds.). MIB: men in black: handbook for
curatorial practice. Frankfurt: Revolver, 2004.
THEA, Carolee. On curating: interviews
international curators. New York: DAP, 2009.
with
ten
TOMASSI, Noreen; JACOB, Mary Jane; MESQUITA, Ivo.
American visions/Visiones de las Américas. New York: ACA
Books, 1995.
TOWNSEND, Melanie (Ed.). Diverging curatorial practices
beyond the Box. Banff: Walter Phillips Gallery Editions,
2003.
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TRIERWEILLER, Denis. L’Art de l’exposition: Une
documentation sur trente expositions exemplaires du XXe
Siècle. Paris: Editions Regard, 1998.
URRY, John. The tourist gaze: leisure and travel in
contemporary societies. London/New Delhi: Newbury
Park/Sage, 1990.
VELÉRY, Paul. “The problems of the museums (1935)”. In:
MATHEWS, Jackson (Ed.). The collected works of Paul
Valéry. New York: Pantheon Books, 1990. pp.202-208.
VERGO, Peter. (Ed.).The
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WALLIS, Brian. (Ed.). Art after modernism: rethinking
representation. New York: The New Museum of
Contemporay Art: David A. Godine Publisher, Inc, 1984.
WEIL, Stephen E.. Beauty and the beasts: on museums,
art, the law and the market. Washington D. C.: Smithsonian
Institution Press, 1983.
WEIL, Stephen; PACHTER, Marc. Making museums
matter. Washington DC: Smithsonian Institution Press,
2002.
WHITE, Peter (Org.). Naming a practice. Banff: Walter
Phillips Gallery Editions, 1996.
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bibliografia - novos curadores