Masterclasses
Amandine Beyer, Ana Mafalda Castro, Andoni
Conde Villar, Barbara Ferrara, Charles Toet,
Hugo Sanches, Hugues Kesteman, João
Vaz, Luís Madureira, Magna Ferreira, Marco
Ceccato, Mélodie Michel, Olavo Barros,
Pedro Castro, Pedro Couto Soares, Pedro
Sousa Silva, Ronaldo Lopes, Rui Silva, Tiago
Freire, Veronica Febbi, Xurxo Varela
Baroque Orchestra
Ana Mafalda Castro, Charles Toet, Marco
Ceccato
Vocal Ensemble
Magna Ferreira
Baroque Dance
Catarina Costa e Silva
Harpsichord Accompaniment
Júlio Dias
Lectures
João Pedro d’Alvarenga, Lisete da Silva,
Marie-Eve Geeraert
Masterclasses in
historical instruments
singing, violin, viola, cello, violone,
viola da gamba, recorder, traverso,
oboe, bassoon, cornetto, sackbutt,
harpsichord, lute, harp, organ,
percussion
Baroque Orchestra
Vocal Ensemble
Baroque Dance
Lectures
XI
International
Early Music
Course
ESMAE/ESML
Exhibitions
Concerts
Palácio Nacional de Mafra
11-16 April 2014
XI International Early Music Course ESMAE/ESML
Palácio Nacional de Mafra
11-16 April 2014
Welcome to the
experience of
Portuguese Baroque!
Have you ever dreamt of playing in
front of the King’s throne? Or in the
Queen’s chambers?
Prices
Registration until 25th Feb
Course 200€
Accommodation 125€
Course + Accommodation 300€
Registration from 26th Feb to 25th March
Course 225€
Accommodation 125€
Course + Accommodation 325€
Registration after 26th March
Course 300€
Accommodation 150€
Information and enrolment
[email protected]
H o st e d by t h e Opo r t o co l l e ge of
m u si c (ESM A E) i n co l l a bo r a t i o n w ith
i t s L i s bo n co u n t e r pa r t (ESM L ), the
XI I n t e r n a t i o n a l Ea r l y M u si c C ou rs e
ESM A E/ESM L wi l l t a k e pl a ce i n the
be a u t i fu l N a t i o n a l P a l a ce i n M af ra ,
P o r t u ga l . T h i s m a gn i fi ce n t m o n u m e nt,
t h e gre a t e s t e x po n e n t o f P o r t u g u e s e
ba ro qu e a rch i t e ct u re , wi l l h o st f ive
da ys e n t i re l y de v o t e d t o m u si c f rom
t h e 1 6 t h t o t h e 1 8 t h ce n t u r y.
T h e fa cu l t y co n s i s t s e n t i re l y o f m u si c ians
wi t h a v a st e x pe r i e n ce i n t h e fi e ld of
h i st o r i ca l l y
i n fo r m e d
pe r fo r m a nc e ,
bo t h a s t e a ch e r s a n d pe r fo r m e r s. A p a rt
fro m i n di v i du a l t u i t i o n , a t t e n de e s w ill
h a v e t h e o ppo r t u n i t y t o pa r t i ci pa te in
a n u m be r o f di f fe re n t a ct i v i t i e s suc h as
ch a m be r m u s i c a n d v o ca l e n se mb le s ,
re na is s a nc e m u s ic c ons ort, b a roq u e
orc he s tra and b a roq u e d anc e .
S ta rting w ith a w e lc om e c onc e rt,
s e ve ra l
d a ily
ac tivitie s
w ill
ta ke
p lac e throu g hou t the c ou rs e s u c h as
his toric a l ins tru m e nts e x hib itions , m u s ic
s c ore s a nd b ooks d is p lay , c onf e re nc e s ,
s tu d e nts ’ c onc e rts and a f inal c onc e rt
w ith orc he s tra and d anc e .
D u ring the c ou rs e , f re e ac c e s s to the
p ala c e w ill b e g ive n to p artic ip ants
s o y ou w ill lite ra lly b e a b le to p lay ,
p ra c tis e and re he ars e b e f ore the K ing ’ s
throne or in the Q u e e n’ s c ham b e rs !
We a re s u re it w ill b e a u niq u e artis tic ,
a e s the tic a l and le ar ning e x p e rie nc e .