Spaces between 5 chairs, Text by João Penalva, Graphic design by João Penalva with Inês Sena
(Ed. 500, numbered, signed), Published by Edições Galeria Filomena Soares and Azinhagas e
Ribanceiras Edições, Lisbon 2008
Looking up in Osaka, Texts by Yuko Hasegawa and João Penalva, Design by João Penalva with Inês Sena
(Ed. 500, numbered, signed), Published by Edições Galeria Filomena Soares and Azinhagas e
Ribanceiras Edições, Lisbon 2008
CLOCK/TEACH TOUCH, Text by Mark Gisbourne, ‗Narrative of the senses‘, Graphic design by
James Bolton, Silkscreened cardboard box containing two audio CDs, silkscreened cards and printed
text sheet (Ed. 250, numbered, signed), Published by Public Art Development Trust, London 2000
Arquivos, Design by João Penalva, Photography by João Penalva with António Pinho (Ed. 1000),
II Jornadas de Arte Contemporânea, Published by Câmara Municipal do Porto, Porto 1993
João Penalva – Works with Texts and Images, CAM – Fundação Calouste Gulbenkian and
Brandts Kunsthallen Brandts, Lisbon 2011
Bruno Marchand, Chiado 8 Arte Contemporânea, Lisbon 2010
Åsa Nacking, Anders Kreuger, JoãoPenalva, Lunds Konsthall, Lund 2010
Morgan Fisher, Katharine Stout, João Penalva, Mead Gallery, Warwick Arts Centre,
The University of Warwick, Coventry 2007
João Fernandes, João Penalva, João Penalva, Irish Museum of Modern Art, Ludwig Museum Budapest—
Museum of Contemporary Art, Museu Serralves de Arte Contemporânea, Porto 2005
Guy Brett, ‗To be Penalva‘s public‘; Mark Gisbourne, ‗In the absence of Absalom‘; Yuko Hasegawa/João
Penalva; ‗A conversation in London‘; Pedro Lapa, ‗Repetition against the law‘, João Penalva, Electa,
Milano 2001
Pedro Lapa, ‗Sense and Subversion‘, João Penalva, R., Pavilion of Portugal, XLIX Biennale di Venezia,
Instituto de Arte Contemporânea/Ministério da Cultura, Lisbon 2001
Francis McKee and João Penalva, On the other hand, this is not my voice, Tramway, Glasgow 2000
Silvia Eiblmyer, Character and Player, Galerie im Taxispalais/Triton Verlag, Innsbruck/Vienna 2000
João Penalva, 336 PEK, Frac Languedoc-Roussillon and Camden Arts Centre, London and Montpellier 2000
Iwona Blazwick, ‗Wallenda‘; Dan Cameron, ‗A split in time‘; Juan Cruz, ‗Fictionalizing: João Penalva‘s
Character and Player‘; Juliana Engberg, ‗Cinema Chartreuse‘; Andrew Wilson, ‗LM44/EB61‘;
João Penalva and Andrew Renton ‗So you still don‘t believe me‘, João Penalva, Centro de Exposições,
1 / 10
Centro Cultural de Belém, Lisbon 1999
Isabel Carlos and João Penalva, ‗A propos the Ormsson Collection‘; Ana Cristina Leite, ‗The Collection,
the Collector, the Museum‘, The Ormsson Collection, presented by João Penalva, Museu da Cidade,
Lisbon 1997
João Penalva, ‗Widow Simone (Entr‘acte, 20 years)‘; Andrew Renton, ‗Honest John; how to break a leg
and influence people‘, João Penalva, Widow Simone, (Entr’acte, 20 years), XXIII Bienal
Internacional de São Paulo, Instituto de Arte Contemporânea/Ministério da Cultura, Lisbon 1996
João Fernandes, João Penalva, Galeria Pedro Oliveira, Porto 1994
Gareth Jones, Gill Hedley, Andrew Renton, João Penalva, ‗Conversation, London, 26th August 1993‘,
João Penalva—‘7 Paintings’, Galeria Atlântica, Porto 1993
Eduardo Paz Barroso, João Penalva, Galeria Atlântica, Porto 1990
Ruth Rosengarten, João Penalva, ‗Two makes one better‘, Galeria Atlântica, Porto 1990
Marjorie Allthorpe-Guyton, ‗Collector‘; Alexandre Melo, ‗A repertory and its effects‘;
Ruth Rosengarten, ‗In conversation with João Penalva‘, João Penalva, Centro de Arte Moderna
José de Azeredo Perdigão, Fundação Calouste Gulbenkian, Lisboa 1990
Andrew Renton, João Penalva, ‗The Rabbit and the Genre‘, Francis Graham-Dixon Gallery, London 1989
Wiliam Jeffett, João Penalva, Francis Graham-Dixon Gallery, London 1987
Philip Courtney, João Penalva, Sala Atlântica, Galeria Nasoni, Porto 1987
Pedro Lapa, ‗Inquietude e Sinal‘, in Linguagem e Experiência, Obrasna Colecção da Caixa Geral de Depósitos,
Fundação CGD, Culturgest, Lisbon 2010
Delfim Sardo, ‗JoãoPenalva‘ in Abrir a Caixa, Obras da Colecção da Caixa Geral de Depósitos,
Fundação CGD, Culturgest, Lisbon 2009
Anne-Marie Bonnet, 20 Jahre Barbara Gross Galerie, Barbara Gross Galerie, Munich 2008
João Penalva, ‗João Penalva—Interview‘, in Résidents, Éditions du Panama, Paris 2007
Anna MacDonald, ‗The Bell-Ringer‘, in Cinema Paradiso, ACCA Australian Centre for Contemporary Art,
Melbourne 2007
Paul Hobson, Gilane Tawadros ed., in Life is More Important Than Art, Ostrich, London 2007
Charles Esche, ‗Matts Leiderstam & João Penalva‘, in there’s gonna be some trouble,
the 5 year rooseum book, 2001-2006, Katarina Stenbeck ed., Rooseum Center for Contemporary Art, Malmö 2007
Miguel Amado, ‗Point of view‘, in Point of View, Works from the Collection of the PLMJ Foundation,
Fundação PLMJ, Lisbon 2007
Javier García Montes, ‗João Penalva‘, in The Bergé Collection, Bergé y Cía, Madrid 2007
2 / 10
Natxo Checa, Óscar Faria, João Fernandes, in À propos des lieux d’origine—Portugal agora,
Musée d‘Art Moderne Grand-Duc Jean, Luxembourg, Luxembourg 2007
Victor Pires-Vieira, Outras Zonas de Contacto: imagens contemporâneas de uma colecção privada,
fcc/Museu da Cidade, Lisboa 2007
Margot Heller, Kit Hammonds, in Around the World in Eighty Days, Institute of Contemporary Arts/
South London Gallery, London 2006
Miguel Amado, ‗João Penalva‘, in 25 Frames Per Second, Videos from the Collection of the PLMJ Foundation,
Assírio e Alvim, Lisbon 2006
Óscar Alonso Medina, ‗Seña(le)s de identidad‘, Territorios Oeste, aspectos singulares del arte portugués
contemporáneo‘, Museu de Arte Contemporáneo Union Fenosa, A Coruña 2006
João Penalva, ‗336 PEK‘; Alessandra Pace, ‗João Penalva. Dokumentarfilm‘ in de dentro, 6 Portuguese
Contemporary Artists, various authors, João Pinharanda ed., Instituto Camões/National Centre for
Contemporary Arts, Moscow, Lisbon 2005
Isabel Carlos, ‗Todo o retrato é um retrato do artista‘, in Glamour, A Arte Seduzida e Sedutora,
PÚBLICO e Fundação de Serralves, Lisbon 2005
Tacita Dean, Jeremy Millar, Place, Thames and Hudson, London 2005
João Penalva, ‗Teaching teaches teachers. And students, too‘, in Malmö Art Academy, The first 10 years,
various authors, Sara Jordenö, Kajsa Dahlberg, Luca Frei ed., Malmö Art Academy, University
of Lund, Malmö 2005
Various authors, Marina Bistolfi ed., The Gesture, A visual library in progress,
Artout—Maschietto Editore, Florence 2005
Various authors, Infallible, In search of the Real George Eliot, Roxy Walsh ed., ARTicle Press,
University of Central England, Birmingham 2005
David Barro, Del Zero al 2005: Perspectivas del Arte en Portugal, Fundación Marcelino Botín, Santander 2005
Various authors, Denise Robinson, ‗João Penalva‘; Jo Lanyon and João Penalva, ‗João Penalva
in Conversation‘, in Thinking of the Outside, Claire Doherty ed., University of the West of England,
Bristol Legible City in association with Arnolfini, Bristol 2005
Various authors, Miradas y Conceptos en la colección Helga de Alvear,
MEIAC y Junta de Extremadura, Badajoz 2005
Mark Gisbourne, ‗A house in the country‘, in Ein Europäisches Portrait 2, Rohkunstbau, Berlin 2004
Octavio Zaya, in FILES, (Mr Yamato artist project), Museu de Arte Contemporáneo de
Castilla y Léon, Léon 2004
Emília Tavares, 1980/2004—Anos de Actualização Artística das Colecções do Museu do Chiado,
Museu de Tavares Proença Junior, Castelo Branco 2004
Guy Brett, ‗To Be João Penalva‘s Public‘, in Carnival of Perception, Selected Writings on Art,
Institute of International Visual Arts, London 2004
Catarina Campino, ‗Take me to Portugal‘, in The 2nd International Video-Art Biennial in Israel, Tel Aviv 2004
3 / 10
Anders Kreuger, ‗Prophetic Corners. Dealing with the future.‘, in Periferic 6, Prophetic Corners,
Musatinii Publishing House, Suceava 2003
Juliana Engberg, ‗The Labyrinthine Effect’, in The Labyrinthine Effect, ACCA Australian Centre
for Contemporary Art, Melbourne 2003
Juan Antonio Álvarez Reyes, ‗El esfuerzo y sus carencias‘, in Ahalegina/Esfurezo,
Koldo Mitxelena Kulturunea, Bilbao 2003
Philip Monk, ‗João Penalva‘, in Members’ Quarterly Newsletter, Autumn 2003,
The Power Plant Contemporary Art Gallery, Toronto 2003
Nicolas de Oliveira, in Installation Art in the New Millennium, Thames and Hudson, London 2003
João Penalva, ‗The Prize Song‘, ‗Kitsune‘, in Victoria Liu, Ewen McDonald, Tech/No/Zone,
Museum of Contemporary Art, Taipei, Taipei 2002
Andrea Jahn, Ralf Christofori, ‗João Penalva‘, in Body Power/Power Play, Hatje Cantz, Ostfildern-Ruit 2002
Francis McKee, ‗Spinning Yarn‘; João Penalva, ‗An Introduction to Mister‘, in Biennale of Sydney, Sydney 2002
‗João Penalva and Matts Liederstam in conversation‘, in Rooseum Provisorium, Rooseum, Malmö 2002
Marjorie Allthorpe-Guyton, Isobel Johnstone, Susan F. Drades, Arts Council Collection, Acquisitions 1989-2002,
Hayward Gallery Publishing, London 2002
Céline Melissent, ‗João Penalva‘, in Dévoler, Exposition d’oevres contemporaines de la Collection du
Frac Languedoc-Roussillon, Mücsarnok, Budapest 2002
Mark Francis, ‗João Penalva‘, in ‗Mark Francis and João Penalva Interview‘, in fig-1,
Spafax Publishing in association with tate: the art magazine, London 2001; Walther Koenig Books, London 2002
Brigitte Huck, ‗Lacan, die Mathematik, die Knoten und der Maler Rouan‘, in Diesseits und jenseits
des Traums, Sigmund Freud-Museum, Vienna 2001
Pedro Lapa, ‗A square, a Street‘, in More works about buildings and food,
Câmara Municipal de Oeiras, Oeiras 2001
James Putnam, ‗João Penalva‘, in Art and Artifact, Thames and Hudson, London 2001
Pedro Lapa, ‗R.‘, in La Biennale di Venezia, Vol. 2, Electa, Milan 2001
João Penalva and Annie Fletcher, ‗Interview‘, in Berlin Biennale 2, Oktagon Verlag, Cologne 2001
Pontus Kyander, ‗Kärlek, sport och esperanto, och en hel del Wagner i João Penalvas installation R.‘,
Artes Nr. 1/2000, Årg. 28, Stockholm 2000
Juliana Engberg, ‗João Penalva, 336 Rivers‘, in Art & Industry 2000 Biennial, Contemporary
Visual Arts Festival, Lorraine Marson ed., Art & Industry, Christchurch 2000
Philip Campbell, Jonathan Jones, ed. Bergit Arends, ‗The eternal Artefact?‘, Sciart 2000, Sciart, London 2000
Lotta Hammer, Simon Morissey, Waiting, Mjellby Konstgard, Mjellby 2000
Isabel Carlos, Nuno Faria, Lúcia Marques, ‗João Penalva‘, in Initiare, Instituto de Arte Contemporânea/
4 / 10
Centro Cultural de Belém, Lisbon 2000
Juliana Engberg, ‗João Penalva‘, in Signs of Life, I Melbourne International Biennial, Melbourne 1999
Svenrobert Lundqvist, Henry Meyric-Hughes, From Where to Here, Art from London,
Konsthallen Göteborg, Göteborg 1999
Various authors, Dora Garcia ed., João Penalva ‗He…‘, in Pocket, Galeria Juana de Aizpuru, Madrid 1999
Jérôme Sans, ‗João Penalva, ‗Entr‘acte, 20 years‘, in La sphère de l’intime, Printemps de Cahors,
Publications Actes Sud, Arles 1998
Various authors, ed. Paulo Mendes, Paulo Seabra, Paulo Cunha e Silva, Anatomias Comtemporâneas,
Câmara Municipal de Oeiras, Oeiras 1997
Yukiko Ito, Urban Mirage, Hiroshima Art Document ‘97, Hiroshima 1997
25 Anos, 44 Artistas, Árvore, Cooperativa de Actividades Artísticas, C.R.L., Porto 1996
Michael Archer, ‗João Penalva‘, in The day after tomorrow, Electa, Milan 1994
Alexandre Melo ed., Quando O Mundo Nos Cai em Cima, Centro Cultural de Belém, Lisbon 1994
Enrique Juncosa, in Four painters from London, Galería Colégio de Arquitectos, Malagá 1991
Bernardo Pinto de Almeida, in Um olhar sobre a pintura portuguesa contemporânea,
Casa de Serralves, Secretaria de Estado da Cultura, Porto 1988
Galeria DN, Reabertura da Galeria, Exposição Colectiva, Galeria DN, Lisbon 1988
Bernardo Frey Pinto de Almeida, ‗Arte Portuguesa da última década‘, in VII Bienal Internacional
de Arte de Pontevedra, Diputación Provincial de Pontevedra, Pontevedra 1986
Nelson di Maggio, O Papel como Suporte, Sociedade Nacional de Belas Artes, Lisbon 1982
Fernando Calhau, Artistas Portugueses Residentes no Estrangeiro, Galeria Almada Negreiros,
Direcção-Geral da Acção Cultural, Lisbon 1982
Chelsea School of Art, MA Exhibition, Chelsea School of Art, London 1981
Roger A. Manning, New contemporaries 1980, The New Contemporaries Association, London 1980
2010
Claudia Wahjudi, ‗Kino verkehrt— João Penalvas Videoinstallationen erzählen Fiktionen der Fiktion‘,
Kunstforum International, Bd. 202, 2010
Måns Holst Ekström,‗En dans genom tidens mörker‘, Sydsvenskan, 17.02.2010
Anna Sandberg, ‗En drömlikverklighetsförvandling‘, www.omkonst.com, 17.02.2010
Isac Nordgren, ‗Med berättelsen i fokus‘, Kristianstadsbladet, Kristianstad 25.02.2010
Dan Jönsson, ‗Lunds konsthall visar verk av João Penalva‘, Dagens Nyheter, Stockholm 09.03.2010
2009
Rüdiger Heise, ‗João Penalva: Barbara Gross Galerie‘, Applaus Kultur-Magazin, March 2009
Birgit Sonna, ‗Haare wie Landschaften‘, Süddeutsche Zeitung, Münchner Kultur, 22.03.2009
5 / 10
Filipa Oliveira, ‗João Penalva‘, L+ARTE, No. 61, Lisbon, June 2009
2008
Alexandra Beleza Moreira, ‗A arte a partir do mecanismo de um relógio‘, Jornal de Notícias, 10.05.2008
Óscar Faria, ‗Tempo em directo‘, Público, Ípsilon, 23.05.2008
Ingeborg Ruthe, ‗Betonlabyrinth ohne Ariadnefaden: João Penalvas Tokio-Bilder in der Galerie Thomas Schulte‘,
Berliner Zeitung, 27.11.2008
Claudia Wahjudi, ‗Könnte sein‘, Tagesspiegel, 29.11.2008
Dominikus Müller, ‗Traumgespräch mit einer Motte‘, www.artnet.de, 03.12.2008
2007
Sebastian Gierke, ‗Kafka im Eis‘, Der Tagesspiel, 05.02.2007
Katrin Bettina Müller, ‗Irgendwo in der Nähe ein Fluss‘, Tipp, Nr. 5, 22.02.2007
Anka Botzoman, ‗The roar of lions‘, Exberliner, March 2007
Peter McCarthy, ‗Mead Gallery has one to tease the imagination‘, The Courier, 19.10.2007
Peter Macarthy, ‗Penalva shows his dark side‘, Coventry Telegraph, 24.11.2007
Robert Clark, ‗João Penalva, Coventry‘, The Guardian, 24.11.2007
2006
Zsófia Bán,‘Mr. Ruskin eltűnt hajtincse, avagy meghívás egy bizonyítási eljárás
titokzatos történetébe‘, Exindex, 23.01.2006
Halász András, ‗João Penalva‘, Balkon, 01/2006
Bálint Szombathy, ‗Látható történetek‘, Új Művészet, January 2006
István Hajdu, ‗A múlt előtt‘, Magyar Marancs, Kultúra, 05.01.2006
Jenny Lee, ‗João Penalva, IMMA‘, Irish News, 27.05.2006
Fiona MacDonald, ‗Around the world in 80 days‘, Metro, 31.05.2006
Denise Robinson, ‗João Penalva, Ludwig Museum Budapest‘, Camera Austria, 93/2006
Mary Anne Kenny, ‗João Penalva at IMMA‘, Totally Dublin, June 2006
Robert Clark, ‗João Penalva, Dublin, Irish Museum of Modern Art‘, The Guardian, 10.06.2006
Susan Conley, ‗Gaze down the dizzying paths of memory‘s minutiae‘, The Irish Independent, 14.06.2006
Eimear McKeith, ‗The art of weaving word and image‘, Metro, 15.06.2006
Therese McKenna, ‗Candid Camera‘, The Sunday Tribune, 18.06.2006
Aindan Dunne, ‗Artistic ambiguity and shaggy dog stories‘, The Irish Times, 23.06.2006
Catherine Leen, ‗João Penalva‘, The Sunday Times, 09.07.2006
2005
Júlia Váradi, ‗A ―nyomolvasó‖ művész‘, Magyar Hírlap, 03.11.2005
Luisa Etxenike, ‗Sudar‘, El País, 30.01.2005
J. A. Lopes, ‗La búsqueda de la superación‘, Lápiz, February 2005
Rosa Olivares, ‗João Penalva, Museo Serralves‘, Exit Express, February 2005
Helena Osório, ‗Leia as legendas‘, Visão, 03.03.2005
Katalin Timár, ‗A történetmondó visszatér‘, Műértó, March 2005
Celso Martins, ‗Um Mar de histórias‘, Expresso, 18.02.2005
Óscar Faria, ‗A obra é também aquilo que eu digo sobre ela‘, Público, 26.02.2005
Helen A. Harrison, ‗Sports Illustrated, Islip Art Museum‘, The New York Times, 25.12.2005
2004
Claudia Wahjudi, ‗Geist der Erzälung‘, Der Tagesspiegel, 13.03.2004
Birgit Sonna, ‗Wo Utopien sterben und Träume zerbersten‘, Süddeutsche Zeitung, München Kultur, 20.03.2004
Birgit Sonna, ‗Stimmungsbilder‘, Süddeutsche Zeitung, 25.10.2004
Britta Sachs, ‗João Penalva‘, Frankfurter Allgemeine Zeitung, 11.09.2004
Ramón Esparza, ‗Con el sudor de tu frente‘, El Mundo (Pais Vasco), 18.11.2004
José Javier Fernández, ‗Transformación y superación‘, El Diario Vasco, 19.11.2004
Britta Sachs, ‗München feiert seine Open Art‘, Frankfurter Allgemeine Zeitung, 11.10.2004
6 / 10
Beatriz Herráez, ‗Esfuerzo‘, Exit Express, No. 8, December 2004
Manuel Vásquez Montalbán, ‗One hundred Years of Sport‘, in EXIT, Nr. 15, August 2004
2003
Margarida Bon de Sousa, ‗João Penalva cimenta internacionalização‘, Diário de Notícias, 01.03.2003
Ana Ruivo, ‗Floresta de enganos‘, Expresso, 15.03.2003
Joana Neves, ‗João Penalva‘, Pangloss, Nr. 2, April 2003
Birgit Grimm, ‗Verlust und Gewinn im Untergrund‘, Sächsische Zeitung, 12./13.04.2003
Isabel Carlos, ‗João Penalva‘, Flash Art, May/June 2003
Johannes Wendland, ‗Nach der Flut ist vor der Flut‘, Frankfurter Rundschau, 14.05.2003
Lisa Werner-Art, ‗Zirpen aus dem Regal, Fisch in der Tonne‘, Dresdner Neueste Nachrichten, 12.05.2003
Grit Dora, ‗Albertinum Underground—Podex versus Video‘, Dresdner Kulturmagazin, June 2003
Sarah Milroy, ‗A mighty brain stretch‘, The Globe & Mail, 25.10.2003
Peter Goddard, ‗Fall art harvest big on ideas‘, Toronto Star, 02.10.2003
Lena Séraphin, ‗Sinnedas pard på Kiasma‘, Hufvudstadtsbladet, 06.12.2003
Mark Gomes, ‗The Labyrinthine Effect‘, Broadsheet, Vol. 32, Nr. 3, 2003
Charles Green, ‗The Labyrinthine Effect‘, Artforum, December 2003
2002
Michael Hauffen, ‗Wallenda—Barbara Gross Galerie‘, Kunstforum International, January/March 2002
Conny C-A Malmqvist, ‗Lyckad lek med perspektiven‘, Kvällposten, 26.01.2002
Pontus Kyander, ‗När bilden spränger ramarna‘, Sydsvenska Dagbladet, 26.01.2002
Laurence Hazout-Dreyfus João Penalva, ―Le Mistère de la soupe Jaune‘, Beaux-Arts, Nr. 213, February 2002
Britte Montigny, ‗Rekonstruktioner på Rooseum‘, Skånka Dagblatet, 01.03.2002
Conny Blom, ‗Konstnärskap som gör starkt intryck‘, Nordvästra Skånes Tidningar, 01.03.2002
Mariana Schroeder, ‗João Penalva, Barbara Gross, München‘, ARTNews, International Reviews, March 2002
Ulrika Stahre, ‗Det handlar om att ha varit där‘, Afton Balatet, 14.03.2002
Mikael Olofsson, ‗Bilder som tar tid att läsa‘, Göteborgs-Posten, 21.03.2002
Dan Jönsson, ‗Dubbleplattityder och fantombilder‘, Dagens Nyheter, 26.03.2002
Fred Andersson, ‗Instabil relation till världen‘, Svenska Dagbladet, 30.03.2002
Susanne Neuburger, ‗Diesseits und jenseits des Traums‘, Springerin, May 2002
2001
Luis Pinto Castro, ‗Porta 33 Apresenta: o Inovador Penalva‘, Notícias da Madeira, 02.02.2001
Luis Rocha, ‗A arte também conta histórias‘, Diário de Notícias-Madeira, 17.02. 2001
Luis Rocha, ‗Porta 33 conta vender vídeo de João Penalva‘, Diário de Notícias-Madeira, 20.02.2001
Luis Rocha, ‗João Penalva expõe na Porta 33‘, Diário de Notícias-Madeira, 10.03.2001
Lúcia Marques, ‗A arte do narrador‘, Expresso (Revista, Cartaz), 24.03.2001
Sebastian Preuss, ‗Die Kunst der Massage‘, Berliner Zeitung, 20.04.2001
Christof Siemes, ‗Kunst oder Bier, alles umsonst‘, Die Zeit, 26.04.2001
Alexandra Lucas Coelho e João Pinharanda, ‗Bienal‘, Público, 10.06.2001
Michela Manente, ‗The incentive of competition‘, Venews, Nr. 49, June 2001
Leonor Nunes, ‗Penalva em Veneza, Um R provocador‘, Artes e Letras, 13.06.2001
Alexandre Pomar, Expresso, 19.06.2001
Particia Müller Gomes, ‗Não procuro, encontro…‘, Elle, June 2001
Alexandre Pomar, ‗Um palácio em Veneza‘, Expresso, 16.06.2001
João Pinharanda, ‗Bienal de Veneza encena uma humanidade angustiada‘, Público, 01.06.2001
Sebastian Preuss, ‗Nichts ist, wie es scheint‘, Berliner Zeitung, 02.06.2001
Christof Siemes, ‗Art or beer‘, Die Zeit, 18.06.2001
Fanelli and Jonathan Napack, ‗The national pavilions‘, The Art Newspaper, Vol. XII, Nr. 115, June 2001
Elke Buhr, ‗So schön deutsch‘, Frankfurter Rundschau, 11.06.2001
Lidia Panzeri, ‗Venise, le charme désuet‘, Le Journal des Arts, 08.06.2001
Christina Wendenburg, ‗Wie aus einer anderen Welt‘, Berliner Morgenpost, 04.07.2001
Filipa Vicente, ‗Actualidade/Bienal de Veneza‘, Arte Ibérica, July 2001
Andrew Wilson, ‗The Zones of Venice‘, Art Monthly, Nr. 248, July 2001
7 / 10
Roberta Bosco, ‗Selección de pabellones nacionales‘, El Periodico del Arte, July 2001
Marjorie Allthorpe-Guyton, ‗João Penalva, Kitsune‘, ARCO Noticias, Nr. 21, July 2001
Filipa Vicente, ‗A(s) Veneza(s) da Bienal‘, Arte Ibérica, Summer 2001
Carolyn Chrystov-Bakargiev, ‗And the winner is…‘, tema celeste, Summer 2001
Christina Wendenburg, ‗Venezianische Wertsteigerung‘, Die Welt, 25.08.2001
Elisabeth Mahoney, ‗Total Object Complete with Missing Parts‘, The Guardian, 13.09.2001
Elisabeth Mahoney, ‗Total Object Complete with Missing Parts‘, Art Monthly, Nr. 250, October 2001
Susan Thompson, ‗Total Object Complete with Missing Parts‘, The List, 04.10.2001
Rachel Withers, ‗La Biennale di Venezia, 49th International Art Exhibition‘, Nu, Vol. III, Nr.05/01, October 2001
Dan Cameron, ‗Dan Cameron Ponders on the 49th Venice Biennale‘, Artforum 07.10.2001
Veronika Schöne, ‗Moderner Sisyphos.João Penalvas "Wallenda" in der Galerie Barbara Gross’,
Süddeutsche Zeitung, 22./23.12.2001
Roberta De Righi, ‗Akustischer Drahtseilakt. Erste Einzelausstellung der Biennalen—
Entdeckung João Penalvas in München‘, Abendzeitung, Kultur, 13.12.2001
Freia Olive, ‗Der Sturz des Artisten Münchner Galeriespaziergang‘, Münchner Merkur, Kultur, 21.12.2001
2000
Sarah Kent, ‗False perspectives‘, Time Out, 12.01.2000
Raimundas Malasauskas, ‗Mister‘, Siaure Atenai, 19.02. 2000
Deborah Schultz, ‗The Office of misplaced Events (Temporary Annexe)‘, Art Monthly, February 2000
Martin Herbert, ‗The Office of misplaced Events‘, Flash Art, March/April 2000
E. Schlocker, ‗Den Himmel auf den Boden geholt‘, Tiroler Tageszeitung, 27.05.2000
Claudia Thurner, ‗Was ist wirklich, was imaginär?‘, Neue Kronen Zeitung, 27.05.2000
J. Strauhl, ‗Kunst im Spannungsfeld von Fiktion und Wirklichkeit‘, Kurier Tirol, 27.05.2000
Mark Currah, ‗Fossick‘, Sali Gia, Time Out, 14.06.2000
Camilla Pia, ‗336 PEK‘, Go Magazine, 25.05.2000
E. Mahoney, ‗Streams and the conscious‘, The Scotsman, 25.05.2000
E. Mahoney, ‗336 PEK (336 Rivers)‘, The Scotsman, 27.05. 2000
Jonathan Jones, ‗336 Rivers‘, The Guardian, 27.05.2000
Jack Mottram, ‗336 PEK (336 Rivers)‘, The List, 02.07.2000
Cristina Margato, ‗As amnésias dos vários ―eus‖‘, Diário de Notícias, 14.10.2000
L. S. de Oliveira, ‗Terminare‘, Público, 20.10.2000
Luís Rocha, ‗Porta 33 leva João Penalva à ARCO 2001 em Madrid‘, Diário de Notícias da Madeira, 24.10.2000
‗Relação de arte e arquitectura questiona espaço social‘, Correio da Manhã, 17.11.2000
Vanessa Rato, ‗Novas formas de habitar‘, Público, 20.11.2000
Alexandre Pomar, ‗Casa, comida e roupa lavada‘, Expresso, 26.11.2000
1999
Ruth Rosengarten, ‗Personagem e Intérprete‘, City, December 1999
C. Margato, ‗João Penalva—Entrevista‘, Diário de Notícias, 21.01.1999
Óscar Faria, ‗Assobiar na corda bamba‘, Público, 22.01.1999
Cláudia Silva Santos, ‗Artes Novas no CCB‘, A Capital, 22.01.1999
I. Queirós, ‗As novas exposições no CCB‘, Diário Económico, 27.01.1999
Celso Martins, ‗Verdade e verosimilhança‘, Expresso, 30.01.1999
José Luís Porfírio, ‗Depois de…?‘, Expresso, 30.01.1999
Ruth Rosengarten, ‗Da pintura para a ficção‘, Arte Ibérica, February 1999
David Santos, ‗Ver e Narrar‘, Independente, 05.02.1999
Ruth Rosengarten, ‗Laying cultural foundations‘, Tate Magazine, Spring 1999
Rocha de Sousa, ‗A ordem secreta das coisas‘, Jornal de Letras, 10.03.1999
Marie-Pierre Donadio, ‗Histoires d‘eau au Frac‘, L’Hérault du Jour, 07.05.1999
Adrian Searle, ‗The Big Picture—Forth Wall‘, The Guardian, 22.05.1999
Richard Cork, ‗The show goes on... the wall‘, The Times, 26.05.1999
Lise Ott, ‗João Penalva filme le vertige du Baikal‘, Midi Libre, 11.05.1999
C. Desbordes, ‗Galerie version ciné pour une vidéo‘, Reg’Art, Nr. 3, June 1999
Mats Stjerstedt, ‗João Penalva, Frac Languedoc-Roussillon, Montpelier‘, Flash Art, November/December 1999
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Helen Smithson, ‗First for twaddle‘, H&H, 03.12.1999
Simon Grant, ‗Legends of Lake Baikal‘, The Guardian, ‗The Guide‘, 11.12.1999
Sue Hubbard, ‗João Penalva—Camden Arts Centre‘, The Independent on Sunday, 19.12.1999
Rolf Haglund, ‗Censurerad Göteborgskonst‘, Borås Tidning, 04.12.1999
1998
Delfim Sardo, ‗João Penalva‘, Arte Ibérica, January 1998
N. S., ‗‗‗Enough‘ at The Tannery Gallery‘, Southwark News, 19.02.1998
Dan Cameron, ‗Fundación ARCO‘, ARCO Notícias, Nr. 11, March 1998
Catsou Roberts, ‗Enough‘, Art Press, June 1998
Kiogi Maeda, ‗Printemps de Cahors‘, Yomiuri Shimbun, 17.08.1998
Halldor Bjørn Runolfsson, ‗Both And‘, Morgunbladid, 01.11.1998
1997
João Pinharanda, ‗A Arte e o seu Duplo‘, Público, 19.05.1997
Celso Martins, ‗João Penalva‘, Expresso, 19.05.1997
Ruth Rosengarten, ‗Aos pares‘, Visão, 19.06.1997
Martin Coomer, ‗Summer Collection, South London Gallery‘, Time Out, July 1997
Athico Ilye, ‗João Penalva‘, Esquire Magazine, December 1997
Óscar Faria, ‗João Penalva: Memória‘, Público, 05.11.1997
David Santos, ‗João Penalva‘, O Independente, 31.12.1997
1996
Ruth Rosengarten, ‗João Penalva—Faussone‘, Visão, 05.05.1996
Alexandre Melo, ‗Uma Jornada Nómada‘, Expresso, 10.05.1996
L. Salles Freaza, ‗O grito da arte suicida‘, Expresso, 16.11.1996
L. S. Oliveira, ‗A desmaterialização da obra de arte‘, Público, 28.11.1996
Camila Viegas, ‗XXIII Bienal Internacional de São Paulo‘, O Estado de S. Paulo, 29.11.1996
Mark Gisbourne, ‗João Penalva—Dancing in the dark‘, Siksi, XI, Nr. 4, Winter 1996
1995
Alexandre Pomar, ‗João Penalva‘, Expresso, 08.03.1995
Sacha Craddock, ‗Around the galleries‘, The Times, 14.03.1995
Isabel Carlos, ‗Os olhos de ver‘, Expresso, 25.03.1995
Óscar Faria, ‗Fábulas de Penalva‘, Público, 27.03.1995
1994
Mark Currah, ‗Every now and then‘, Time Out, 04.05.1994
Sacha Craddock, ‗Around the galleries‘, The Times, 17.05.1994
William Harvey, ‗Every now and then‘, Untitled, Summer 1994
Mark Currah, ‗Every now and then‘, frieze, Summer 1994
Gareth Jones, ‗Every now and then‘, Flash Art, October 1994
Ruth Rosengarten, ‗E depois de amanhã?‘, Visão, 07.10.1994
Luísa S. Oliveira, ‗Efeitos da pintura‘, Público, 07.10.1994
Cerveira Pinto, ‗Anteontem‘, O Independente, 07.10.1994
Leonor Nazaré, ‗Depois de amanhã‘, Expresso, 14.10.1994
Rocha de Sousa, ‗Nem amanhã nem ontem: hoje‘, Jornal de Letras, 26.10.1994
Carlos Vidal, ‗Nulidades‘, A Capital, 27.10.1994
1993
L. S. Oliveira, ‗João Penalva—7 Pinturas‘, Público, 03.11.1993
Óscar Faria, ‗Instalações coincidentes‘, Público, 05.11.1993
Alexandre Pomar, ‘João Penalva‘, Expresso, 13.11.1993
Alexandre Melo, ‗Estados alterados‘, Expresso, 13.11.1993
Ruth Rosengarten, ‗Porto com sentido‘, Visão, 25.11.1993
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Ruth Rosengarten, ‗Sete Pinturas‘, Visão, 02.12.1993
1992
David Lillington, ‗João Penalva‘, Time Out, 29.02.1992
John McEwen, ‗João Penalva‘, Sunday Telegraph, 02.02.1992
Enrique Juncosa, ‗João Penalva—Londres‘, Lapiz, Nr. 85, March 1992
Ruth Barter, ‗In Review, João Penalva‘, Arts Magazine, April 1992
Wiliam Jeffett, ‗João Penalva—Great-Britain‘, Artefactum, April/May 1992
Michael Archer, ‗João Penalva—London‘, Artforum, May 1992
Óscar Faria, ‗Os Borrões de Penalva‘, Público, 21.11.1992
1991
Luísa Soares de Oliveira, ‗João Penalva‘, Público, 04.01.1991
Javier Cuenca, ‗Cuatro pintores de Londres‘, El Sol, 08.01.1991
João Pinharanda, ‗Portugueses em Londres‘, Público, 25.08.1991
1990
Bernardo Pinto de Almeida, ‗João Penalva‘, Lapiz, Nr. 69, 1990
E. Paz Barroso, ‗Um certo cosmopolitismo‘, Jornal de Notícias, 01.05.1990
João Pinharanda, ‗João Penalva, Atlântica‘, Público, 04.05.1990
Isabel Carlos, ‗João Penalva, Atlântica‘, Expresso, 05.05.1990
Carlos França, ‗Quatro considerações sobre a pintura de João Penalva‘, O Primeiro de Janeiro, 13.04.1990
P. R. M., ‗Novas de Sarmento e Penalva‘, Público, 04.12.1990
José Luís Porfírio, ‗Do objecto à pintura‘, Expresso, 15.12.1990
Leonor Nazaré, ‗Percurso e Resultado‘, Expresso, 22.12.1990
Carlos Vidal, ‗Efeitos dóceis‘, O Independente, 28.12.1990
Isabel Carlos, ‗João Penalva‘, Expresso, 28.12.1990
1989
Mary Rose Beaumont, ‗João Penalva‘, Arts Review, 14.06.1989
Robin Dutt, ‗Exhibitions—João Penalva‘, The Independent, 27.06.1989
Tim Hilton, ‗Critics‘ choice‘, The Guardian, 05.06.1989
1987
Bernardo Pinto de Almeida, ‗ARCO ‘87—Quatro artistas portugueses‘, Jornal de Letras, 23.02.1987
1983
Bernardo Pinto de Almeida, ‗João Penalva‘, Jornal de Letras, 27.04.1983
1982
N. Di Maggio, ‗Da fragilidade do papel à força da invenção‘, O Jornal, 23.04.1982
Character and Player, 55 min, Directed by Luís Alves de Matos, Portuguese Television RTP 2, 2002
Bildjournalen, 12 min, Directed by Pontus Kyander, Swedish Television, 2002
João Penalva, 1993-1998, 35 min, Estúdios Valentim de Carvalho for CCB Lisbon, 1998
Bildjournalen, 6 min, Directed by Pontus Kyander, Swedish Television, 1997
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