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Brazilian Music and Culture | Prifysgol Bangor University
Brazilian Music and Culture
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Avelar, Idelber and Dunn, Christopher, Brazilian Popular Music and Citizenship (Durham:
Duke University Press, 2011)
<http://bangor.eblib.com/patron/FullRecord.aspx?p=1172252>
‘Brasil, a Century of Song’ (Bethpage, NY: Blue Jackel Entertainment, 1995)
Brown Carlinhos, ‘Bahia Do Mundo, Mito e Verdade’ ([São Paulo, Brazil?]: EMI)
Buarque Chico, Brown Carlinhos, and Sacramento Marcos, O Karaiva and Mylene, ‘The
Rough Guide to the Music of Brazil’ (London: World Music Network)
Burdick, John, The Color of Sound: Race, Religion, and Music in Brazil (New York: New York
University Press, 2013) <http://bangor.eblib.com/patron/FullRecord.aspx?p=1051350>
C. Perrone, Brazilian Popular Music and Globalization (Routledge)
<http://Bangor.eblib.com/patron/FullRecord.aspx?p=1111640>
Caetano Veloso, ‘Tropical Truth’ (Bloomsbury Publishing PLC)
Crook Larry, Brazilian Music: Northeastern Traditions and the Heartbeat of a Modern Nation
(Santa Barbara, Calif: ABC-CLIO, 2005)
Eisentraut Jochen, The Accessibility of Music Participation, Reception and Contact
(Cambridge: Cambridge University Press, 2013)
<http://bangor.eblib.com/patron/FullRecord.aspx?p=1099900>
Ewbank Alison J., and Papageorgiou Fouli T., Whose Master’s Voice?: The Development of
Popular Music in Thirteen Cultures (Santa Barbara: ABC-CLIO, 1997)
<http://Bangor.eblib.com/patron/FullRecord.aspx?p=496797>
———, Whose Master’s Voice?: The Development of Popular Music in Thirteen Cultures
(Westport, Conn: Greenwood Press, 1997)
Freyre Gilberto, The Masters and the Slaves (Casa-grande & Senzala): a Study in the
Development of Brazilian Civilization (New York: Knopf, 1964)
Fryer Peter, Rhythms of Resistance: African Musical Heritage in Brazil (London: Pluto,
1999)
Getz Stan, Gilberto João, Jobim Antonio Carlos, Gilberto Astrud, Williams Tommy, and
Banana Milton, ‘Getz/Gilberto: Featuring Antonio Carlos Jobim’ (New York, N.Y.: Verve)
‘Hello, Hello Brazil: Popular Music in the Making of Modern Brazil’ (Duke University Press,
2004) <http://www.loc.gov/catdir/toc/ecip0411/2003024989.html>
Hobsbawm E. J., and Ranger T. O., The Invention of Tradition (Cambridge: Cambridge
University Press, 1992)
Ilê Aiyê (Musical group), ‘Black Chant’ (New York City: Interra)
Jobim Antonio Carlos, ‘The Very Best of Antonio Carlos Jobim’ ([Italy]: Recording Arts,
2007)
John Lowell Lewis, ‘Ring of Liberation’ (Chicago: University of Chicago Press, 1992)
Klein Herbert S., and Luna Francisco Vidal, Slavery in Brazil (Cambridge: Cambridge
University Press, 2010) <http://Bangor.eblib.com/patron/FullRecord.aspx?p=471987>
Klein Herbert S., and Vinson Ben, African Slavery in Latin America and the Caribbean
(Oxford: Oxford University Press, 2007)
Larry Crook, ‘Focus’ (New York: Routledge, 2008)
‘Latin American Music Review / Revista De Música Latinoamericana’ (University of Texas
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Brazilian Music and Culture | Prifysgol Bangor University
Press, 1980)
<http://0-www.jstor.org.unicat.bangor.ac.uk/action/showPublication?journalCode=latiamer
musirevi>
——— (University of Texas Press, 2001)
<http://0-muse.jhu.edu.unicat.bangor.ac.uk/journals/latin_american_music_review/>
Leu, Lorraine, Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition
(Aldershot, England: Ashgate, 2006)
Livingston, Tamara Elena and Garcia, Thomas George Caracas, Choro: a Social History of a
Brazilian Popular Music (Bloomington: Indiana University Press, 2005)
‘Making Samba: a New History of Race and Music in Brazil’ (Duke University Press, 2013)
<http://Bangor.eblib.com/patron/FullRecord.aspx?p=1603770>
Monson Ingrid, The African Diaspora: A Musical Perspective (Hoboken: Taylor and Francis,
2004) <http://Bangor.eblib.com/patron/FullRecord.aspx?p=182948>
Monson Ingrid T., The African Diaspora: a Musical Perspective (New York: Garland Pub,
2000)
Moreira Wilson, Sargento Nelson, and Cazes Henrique, Velha Guarda da Portela, ‘Grandes
Sambistas’ (Rio de Janeiro, Brésil: Auvidis-Ethnic)
Murphy John P., Music in Brazil: Experiencing Music, Expressing Culture (New York: Oxford
University Press, 2006)
Mutantes (Rock group), ‘Os Mutantes’ (Brazil: Universal Music Ltd, 2006)
Olodum (Musical group), ‘Liberdade’ ([Brazil]: Continentâl)
‘Sambas Du Carnaval De Rio: = Rio’s Carnival Sambas’ ([France?]: EPM Musique)
Shaw Lisa, The Social History of the Brazilian Samba (Aldershot, England: Ashgate, 1999)
Silva Orlando, Miranda Carmen, Silva Moreira, Teixeira Patricio, Caldas Silvio, Velha
Guarda, and others, Quatro Asas e um coringa, Vassourinha (Musical group), Bahiano
(Musical group), and Almirante (Musical group), ‘Samba 1917-1947’ (Vincennes, France:
Frémeaux & Associés)
Stefania Capone, ‘Searching for Africa in Brazil’ (Durham [NC]: Duke University Press,
2010) <http://Bangor.eblib.com/patron/FullRecord.aspx?p=1171752>
Stokes Martin, Ethnicity, Identity, and Music: The Musical Construction of Place (Oxford:
Berg, 1994)
Stroud Sean, The Defence of Tradition in Brazilian Popular Music: Politics, Culture and the
Creation of Música Popular Brasileira (Aldershot, England: Ashgate, 2008)
<http://Bangor.eblib.com/patron/FullRecord.aspx?p=438943>
Turma Do Pagode, ‘Turma Do Pagode Ao Vivo’ (Manaus: Zaid Records, 2008)
Vatin Xavier, ‘Candomblé De Angola: Musique Rituelle Afro-brésilienne = Afro-Brazilian
Ritual Music : Terreiro Tumbenganga Junçara, Salvador, Bahia’ (Paris, France: Maison des
Cultures du Monde)
Veloso Caetano, ‘Caetano Veloso’ ([Brazil]: Polygram do Brasil)
Vianna Hermano, and Chasteen John Charles, The Mystery of Samba: Popular Music &
National Identity in Brazil (Chapel Hill: University of North Carolina Press, 1999)
<http://Bangor.eblib.com/patron/FullRecord.aspx?p=880453>
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